On Tuesday 18 December, on behalf of the @HRDWorldSummit delegates, @mogwe_alice will become the first civil-society representative ever to address the @UN General Assembly. She will present the final action plan of the 2nd Human Rights Defenders World Summit which took place in Paris at the end of October 2018. [https://hrdworldsummit.org/action-plan/]. The film above – produced by True Heroes Films – gives an impression of the variety of HRDs and issues at that event, in just 2:30 minutes.
Daniel Warner, who until recently was the Chair of the True Heroes Films (THF) in Geneva, runs a weekly blog in English for the Tribune de Geneve, He often touches on human rights issues and this time (20 March 2018) addresses an important question: to what extent are human rights films a (effective) call for action?
The 1972 photo of a young girl running naked in Trang Bang screaming in pain from the effects of napalm had a profound influence on the public’s perception of the horrors of the Vietnam War. The 2015 photo of a three-year-old refugee boy drowned in the Mediterranean Sea in Turkey also had a profound influence of the public’s perception, this time on the desperate plight of millions of refugees. The images of Phan Thi Kim Phuc and Aylan Kurdi are iconic representations. Both capture larger stories; both images express powerful narratives.
Visualization is story telling in another form. ……Marshall McLuhan in the 1960s introduced the notion that the medium of communication – movies for instance – change how a message is perceived. Directors can alter time sequences; background music can play directly to our emotions. We have entered new forms of communication that are just beginning to be understood. The recent Geneva International Film Festival and Forum on Human Rights was a significant event; 61 films shown in 57 venues in the Swiss Romand and Grand Genève, 28 debates and discussions with important figures such as the United Nations High Commissioner for Human Rights and the Catalonian leader Carles Puidgemont as well as a human rights film tour organized by Swiss embassies in 45 countries. …The images were shocking, almost numbing. We in the theatre became more than viewers, we became indirect witnesses through the lens of the film. Several directors participated in debates following the presentations. They all expressed hope that the revelations shown on the screen would encourage reaction from the audience beyond the theatre. The purpose of the film, many argued, was to move the attendees and future viewers from watchers – i.e., indirect witnesses – to activists. The films, according to their creators, were calls to action. McLuhan is most pertinent here. Watching a movie, any movie, is passive/emotional. The director leads us through what he or she wants us to see and feel. We are being literally directed. At a human rights film festival, we are directed, made aware, and called to action. The message of the medium is more than just perception; it is a motivation to do something.But the screen is just a screen, and a silver screen at that. The films were expertly produced. Most were technologically impressive. The cruelty and crudeness of human suffering were presented with all that modernity could offer. It is the contrast between the rawness of grave breaches of human dignity and the sophistication of the current cinema that somehow reduced the power of the message. If, according to McLuhan, the medium is the message, then the films themselves – with all their slick professionalism – somehow played against a call to action. The excellence of the films was in contradiction to the cruelty and chaos of what they were showing. .. Human rights activists are turning to visualization to appeal to larger and larger audiences. Visualization is today’s most powerful means of communication and it is becoming more and more sophisticated. The object of human rights’ film makers is to get the message out to the largest audience in an appealing way. The written era of Gutenberg is no longer hot. It is easier to teach students World War II by viewing Saving Private Ryan than to have them read weighty tomes of historical documentation. If the message of human rights’ films is to witness human rights violations and call to action, professional presentations may be counter-productive. Movies are fundamentally entertainment; however instructive they may be. But when it comes to human rights and their violations, there should be as little entertainment as possible.
Liberal International (LI) – the global federation of liberal parties – is giving its Prize for Freedom to Senator Leila de Lima, whom the organization described as a “political prisoner” and a critic of authoritarian President Rodrigo Duterte. In its news release of Tuesday, 30 October 2017, the LI said “Politicians from around the world voted to award Liberal International’s highest human rights honor – the Prize for Freedom – to imprisoned Philippines political prisoner, Senator Leila de Lima,” it said. “Senator De Lima, a vocal and ardent critic [of] the Philippines authoritarian president Rodrigo Duterte’s so-called ‘war of drugs’, has been held in pre-trial detention on politically motivated charges since February 2017” .
De Lima is presently detained at the Philippine National Police’s (PNP), Quezon City over allegations that she was involved in the illegal drug trade inside that national penitentiary during her stint as Justice secretary. De Lima has repeatedly denied the charges against her, saying she is a victim of political persecution.
The National Assembly in Venezuela was nominated for the award by the center-right European People’s Party (EPP) parliamentary grouping along with the Alliance of Liberals and Democrats for Europe (ALDE group). MEP Jose Ignacio Salafranca said “they are brave people who, despite being beaten or imprisoned, are not afraid and do not give up, but fight for their freedom and for their dignity.” Fellow MEP Guy Verhofstadt said the award supported “the fight of democratic forces in favor of a democratic Venezuela and against the Maduro regime.”
Today, 27 September 2017, Geneva-based True Heroes Films (THF) unveils it new Digest of Human Rights Awards.
In order to assist in accessing the growing number of human rights awards THF launched its unique Digest of international and regional human rights awards. The Digest of Human Rights Awards is an online searchable database hosted on True Heroes Films’ website (www.trueheroesfilms.org/thedigest). It not only allows anyone to find out information about the almost confusing number of awards, but also permits human rights defenders and their supporters to quickly find the right award for them. Users can search the awards by theme, geographical focus, whether they accept public nominations as well as other information such as the deadline for submissions. Links to the awards’ external websites are also provided.
The Awards Digest is the first phase of a larger project that foresees a Digest of Laureates(over 1900 award winners included in the Awards Digest). This second phase is still under preparation and its completion is planned for 2018, subject to funding.
The Digest is also accessible on any device including mobiles and tablets.
The Digest has been made possible with the support of Brot für die Welt and the Permanent Mission of the Kingdom of the Netherlands in Geneva and other international organizations in Geneva.
For further information contact me at thedigest[at]trueheroesfilms.org or Jo Maxwell-Scott[at]trueheroesfilms.org (mobile +41 78 842 3403).
The increasing use of images in the human rights world seems unstoppable. One (small) feature is the organisation of local human rights film festivals. Movies that Matter has an International Support Programme that offers small grants to stage human rights film events in countries in Africa, Asia, Latin America, Middle East and Eastern Europe.
To promote the screenings of human rights cinema worldwide, Movies that Matter zooms in especially on countries with limited resources and freedom of press. These events can take various forms, such as human rights film festivals, LGBT film festivals, mobile cinema projects, school screenings and grassroots distribution. Each year the grant programme has two selection rounds. Deadlines are usually around mid-April [NEXT DEADLINE 17 APRIL 2017] and mid-September. Movies that Matter judges every project on its individual quality. If you’re not sure whether your project fits within the criteria, please contact MTM at international (at) moviesthatmatter.nl.
Please note that Movies that Matter does not support film production. Find an overview of possible resources for film production here.!
Apply for funding and for more information about the selection criteria, general regulations, and a link to download the entry form, and access the online personal data form. To get an idea of what has been funded see the list of allocated grants to 196 projects from more than 100 applicants in 60 countries that got funds in 2007-2016 (Read more)
Yesterday, 14 March 2016 was the second anniversary of the death of Cao Shunli, a Chinese human rights defender who was detained and denied adequate medical treatment in police custody for five months, before dying in a military hospital in Beijing in 2014. This happened shortly after she was shortlisted for the Martin Ennals Award in that year. [see also https://thoolen.wordpress.com/2016/02/12/cao-shunli-a-profile-and-new-award-in-her-name/]. Has the situation improved…? Read the rest of this entry »
