The animation pilot series “True Heroes Are For Real” explores the moment when ordinary people stand up for justice. When does one become a human rights defender? On the 16th of February 2023, the Martin Ennals Award for Human Rights Defenders ceremony is taking place in Geneva and will celebrate three outstanding activists; Khurram Parvez from Kashmir, on of the 2023 Martin Ennals Award laureates is part of this animation pilot series. THE HEROES ANIMATIONS will also cover Ahmed Mansoor – UAE, Estela de Carlotto – Argentina, Asma Jahangir – Pakistan, Ilham Tohti – China, Eren Keskin – Turkey, and Sizani Ngubane – South Africa.
True Heroes Films (THF) collaborates with Human Rights Defenders through audio-visual communication. Besides the animation series, we are currently preparing a library of short messages to highlight the work and courage of these Heroes through different themes. Both projects are in the fundraising phase. Feel free to reach out if you would like to support our work.
Our True Heroes Digest of Awards is an overview of all international human rights awards and laureates. The Digest recognises and applauds those who stand up for their community. Recently it reached the milestone of over 3000 Human Rights Defenders: https://www.trueheroesfilms.org/thedi… . We also have over 100 in-depth portraits and interviews with some of the most outstanding True Heroes of our time. View them on our website http://www.trueheroesfilms.org
Three outstanding activists who pioneered human rights movements in Chad, Venezuela, and Kashmir are to receive the Martin Ennals Award 2023 on February 16th in Geneva. The common denominator between the 2023 Laureates, Delphine Djiraibé (Chad), Feliciano Reyna (Venezuela), and Khurram Parvez (Kashmir) is their courage, passion, and determination to bring the voice of the voiceless to the international arena, despite the ongoing, sometimes life-threatening, challenges they endure. [see: https://humanrightsdefenders.blog/2023/01/19/breaking-news-laureates-of-the-mea-for-2023-announced/]The ceremony takes place on February 16th at 6.30 pm. To sign up: https://www.martinennalsaward.org/2023-edition/
At the heart of human rights lie the principles of equality and non-discrimination. Equality has the power to help break cycles of poverty; it can give young people the world over the same opportunities; it can help in advancing the right to a healthy environment; it can help tackle the root causes of conflict and crisis.
Equality “means that we embrace our diversity and demand that all be treated without any kind of discrimination,” says UN Human Rights High Commissioner Michelle Bachelet. On Human Rights Day, we are calling for a new social contract. This means addressing pervasive inequalities and structural discrimination with measures grounded in human rights. It requires renewed political commitment, the participation of all, especially the most affected, and a more just distribution of power, resources and opportunities.
Equality and non-discrimination are the key to prevention of some of the biggest global crises of our time. Human rights have the power to tackle the root causes of conflict and crisis, by addressing grievances, eliminating inequalities and exclusion and allowing people to participate in decision-making that affects their lives. Societies that protect and promote human rights for everyone are more resilient and sustainable, and stand better equipped to weather unexpected crises such as pandemics and the impacts of the climate crisis. As we continue on the path towards the 2030 Agenda for Sustainable Development, and countries’ commitments to leave no one behind, we must strive for a world where a life of equality in dignity and rights is a lived reality for all.
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Bertrand G. Ramcharan on this occasion wrote for the Universal Human Rights Group in Geneva a blog post: Human Rights Day 2021: protect the right to be as well as the right to become
..What the Universal Declaration sought to do, seventy-three years ago, was to invite all governments to pursue human rights strategies of governance. That is to say, government policies and laws should take the precepts of the Universal Declaration as their basic starting point, and governments should be held accountable against those standards.
Human Rights Day this year is being commemorated at a time when the present and the future are joined together as perhaps at no other time in the history of the UN. The world is simultaneously facing a range of critical human rights crises, including a global pandemic, a biodiversity crisis, a pollution crisis, and a climate crisis. The human rights challenges presented by these crises overlay existing discrimination and inequality.
Regarding climate change, the recent Glasgow conference witnessed the tensions between those who fervently believe that the use of fossil fuels must be halted and those who equally fervently plead that they cannot feed and take care of their peoples if they precipitously stop the use of fossil fuels.
The Universal Declaration of Human Rights provides the reference points, the frame of principles, for thinking through, formulating, and implementing policies on challenges such as these. It is a crucial document for every country.
The fourth principle is the rule of law, enshrined, among others, in article 10 of the Universal Declaration: ‘Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal.’ The rule of law must be respected everywhere. In many countries it is not.
In our times, both the right to be and the right to become are under serious threat. On this Human Rights Day, the eight principles of the Universal Declaration enumerated above can help humanity protect the right to be as well as the right to become.
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For Human Rights Day 2021, award-winning filmmaker Shred Shreedhar has planned to release his animated short Reena Ki Kahaani which talks about human trafficking. The short is made for all age groups and is based on a real-life incident. Directed by Shreedhar, animation and creative direction was done by Ashish Wagh and PS Jayahari took care of the music.
“Reena Ki Kahaani is based on the true story of Reena (name changed), a survivor of human trafficking. She got sold into the market of flesh trade on grounds of false promises only to be rescued later by Vihaan, the anti human trafficking NGO,” Shred Creative Lab director Shreedhar told AnimationXpress in an email interview.
He revealed that they chose ‘folk as an art style to connect to the region from where the story originated’. “It helped in making the story more relatable. The former National Geographic Channel India creative VP hopes that with this film, a heinous crime like human trafficking gets talked about more in the mainstream media.
About choosing animation as a medium, Shreedhar said, “Animation as a format is visually appealing to children as well as adults. The purpose was for the film and its message to reach out to not only adults and caregivers but children as well; so a difficult topic was made palatable for all age groups through an animated film so that the dangers are understood.”
According to him, there wouldn’t have been a better day to highlight this reassuring story of courage and human grit in the face of a brutal violation of human rights and spirit. “Nothing celebrates Human Rights Day as the rise and triumph of the human spirit in Reena’s story,” he concluded.
Reena Ki Kahaani, the animated short film of nearly 10 minutes will be released on Shred Creative Lab’s YouTube Channel and other social media handles.
Neil Gaiman launches a crowdsourced animated film to help raise funds for Syrian refugees battling freezing temperatures and icy winds amid threat of Covid-19.
Neil Gaiman – celebrated author and Goodwill Ambassador for UNHCR – has joined forces with hundreds of fans and artists to release a new animated version of his poem What You Need To Be Warm.
The animated film aims to raise much needed funds for UNHCR’s Winter Appeal providing vital support for refugees in the Middle East including Syrian and Iraqi refugees, many of whom are battling their ninth winter away from home. This year is the hardest yet as refugees face snow, rain and freezing temperatures, as well as the impact of Covid-19 which has dramatically affected vulnerable families, put health at risk, devastated livelihoods, and pushed more refugees out into the cold.
Neil Gaiman said: “This animated film was a chance for people to come together to help raise awareness and life-saving funds to protect these families. I was blown away by the response and quality of drawings submitted online. People really care and want to help and they still can by making a donation“
It wil take only 3 minutes to watch this well-done animated film “We Have Rights When Documenting ICE Arrests” which Witnessco-created for the We Have Rights Campaign.
An Iranian-born animator has won a top prize for her film about the importance of freedom of religion. Maral Karaee’s “District 18” tells the story of a little girl who lives in a world where people, animals of object of different colours – red, blue, green and yellow – are not allowed to mix. It won the Grand Prize in the Animation category in the Short Film Competition at the Empower Women Media and the Religious Freedom & Business Foundation. When the girl accidentally breaks the rules, she is fired from her job and made an outcast.
On 18 June 2019 Al Jazeera – with understandable pride – reported that its AJ Labs has won a ‘One World Media award‘ for “Lost Childhoods”, an interactive graphic novel exposing child abuse in Nigeria.
Journalist-photographer Marc Ellison receiving the award in London on Monday evening [One Media World]
The winning entry – Lost Childhoods: How Nigeria’s Fear of Child ‘Witchcraft’ Ruins Young Lives – was praised on Monday for its interactive investigation into the practice of branding children and young adolescents as “witches”. “Combining graphic novel imagery with film, this highly accessible piece effectively covers a major human rights issue,” One World Media organisers said from the awards gala at London’s British Academy of Film and Television Arts (BAFTA).
Blamed for family illness, sudden financial loss or other misfortunes, the children are often beaten, locked into cages, branded with hot knives or made to undergo costly “exorcisms” performed by so-called “prophets” in local churches. With little choice but to flee, many children end up as drug addicts and living in rubbish dumps or on the streets.
AJLabs teamed up with journalist-photographer Marc Ellison and Nigerian illustrator Samuel Iwunze to unearth the facts of this under-reported story. Working meticulously with local fixers, NGOs and child psychologists, Ellison was able to expose the practice that has taken hold in parts of the Niger Delta and that has partially been fuelled by myths propagated by the Nigerian film industry.
Lost Childhoods employs a mix of visual and textual formats, including comic/graphic novel illustrations to preserve anonymity and portray past events. Carlos Van Meek, Al Jazeera’s director of Digital Innovation and Programming, said, “This story, in particular, is a skilful weave of investigations, videos, photos and illustrations that brings to light disturbing physical, emotional and religious abuse against children. Our goal is – and always will be – to make an impact that leads to positive change at the local and international level.”
As further testament to the production, AJLabs worked with NGOs to translate the graphic novel into local languages for distribution within communities, schools and churches in Nigeria, in an attempt to educate people and end the practice of scapegoating innocent children and branding them as witches.
Fair Trials, a human rights organisation, has created a new animation showing what it would feel like to live in a world without fair trials. To accompany the animation, Fair Trials have set up a website: www.withoutfairtrials.org, which explains why fair trial rights are important, what they mean and the consequences if they are not respected. For example, the right to a fair trial encompasses the right to access a lawyer, the right to be presumed innocent until proved guilty if accused of a criminal offence and the right to be told the case against you in a language you understand.
The right applies whenever there is a determination of someone’s civil rights and obligations or any criminal charge against them. The animation looks at the importance of the right to a fair trial from the police station, to the courtroom and in prison. The animation highlights that around the world, fair trial rights are being denied to many people, everyday. For example, the website accompanying the animation says that in China, imprisoned human rights defenders are being denied access to lawyers and in Spain it is common for suspects not to be given information about the case against them until shortly before the trial starts.
Animation in Myanmar goes back to about 1920, earlier than in any other Southeast Asian country. The art form did not prosper under the military regime, but it’s on its way back. One of its most popular exponents has been the well-known cartoonist Aw Pi Kyal. Now his son, Naing Kaung Nyan, 22 – known in the trade as Nyan Kyal Say – has produced a prize-winning work of his own. “My Life I Don’t Want” has won 15 international awards from Myanmar, the United Kingdom, Romania, Barcelona, India, Italy, Ireland, the Netherlands and the United States. Based on actual events, it’s about a young Myanmar woman, and promotes awareness of the rights of women and children.
“I describe the difficulties she faces, in terms of poverty, poor education, insecurity, sexual abuse, unwanted pregnancy and human trafficking that afflict so many young women,” said Nyal Kyal Say, who works in medicine as a house surgeon when he’s not creating animations. “I hope to draw attention to women’s rights, get support from foreign organisations and penetrate the Myanmar animation market.”
The 12-minute short, produced in May, took eight months to make, including story development, production, financial support, and sound. It was first screened at the 2016 Human Rights Film Festival and went on to compete internationally. At the prestigious Amsterdam Animation Festival 2016 “My Life I Don’t Want” won Best Animated Short in the Emerging Animation Nation category last month, its 12th international award.
“Two of my animations are about human rights, but the environment is also important. If we don’t maintain the environment, there will be no humans to claim their rights. Then there’s health. I graduated from the University of Medicine and I want to create health edutainment animations that deal entertainingly with questions of health. Most residents of rural areas lack health knowledge and can’t find out because of the language barrier,” he said. “To help them overcome all these problems, I want to produce animations that are easy for everyone to understand.”
This animation – published by AIon 5 September 2016 – was produced based on testimonies collected by Amnesty International by interviewing over 35 direct eyewitnesses and a senior military source. All the sources confirmed that at least 200 men and boys were arrested on 27 December 2014 in the villages of Magdeme and Doublé in Cameroon. In the same operation conducted jointly by the army, the police and the gendarmerie, at least 8 people, including a child, were killed, over 70 buildings were burnt down and many possessions were stolen or destroyed.
The fate of most of those arrested in these two villages remains unknown. At least 25 of these men and boys – perhaps more – died in custody during the night of their arrest in a makeshift cell, while 45 others were taken and registered in Maroua’s prison the following day. At least 130 people, therefore, remain unaccounted for, presumed to be victims of enforced disappearance, with some evidence suggesting more may have died while in the custody of the security forces.
You can sign the petition to the Cameroonian authorities here: http://bit.ly/2cbpF7v
Video: Africartoons Studio; Music: Kalakuta Music Group
We have a tendency to take for granted that there is a worldwide human rights movement to support all the actions and campaigns in favor of human rights defenders. But, this movement needs to be created and galvanised. One tool is the use of animated images with a simple message: that a loud voice can save lives. The example above (animated by Cesare Davolio) is a “commercial’ commissioned by Amnesty Netherlands for the “Use your power” campaign, explaining what the Amnesty urgent action network can accomplish. This short film – published on You Tube on 8 April – explains how the Urgent Action Network works, from receiving news of a human rights defender being arrested to news being sent out to AI activists and members all over the world via text messages (SMS), email etc to individuals taking action. Shows how effective these individual acts can be when coördinated to produce a ‘louder voice’.
![Journalist-photographer Marc Ellison receiving the award in London on Monday evening [One Media World]](https://www.aljazeera.com/mritems/imagecache/mbdxxlarge/mritems/Images/2019/6/18/0249d6448168416e912d3be0ea5d9767_18.jpg "Al Jazeera's AJ Labs wins prestigious One World Media award")
Hans Thoolen on Human Rights Defenders and their awards 