True Heroes Films (THF) has published a timely portrait of Ales Bialiatski, winner of the Nobel Peace Prize 2022, drawn from an in-depth interview with him at the Paris Summit for Human Rights Defenders in Paris, October 2018.
Posts Tagged ‘THF’
Meet Ales Bialiatski, Nobel Peace Prize 2022
October 8, 2022Women human rights defenders in conflict and post-conflict situations; side event 8 March
March 2, 2022 |
Women human rights defenders are crucial agents and leaders of change. However, due to their gender, they face particular obstacles and security risks. What are these gendered obstacles and risks? How can women human rights defenders best be supported and protected by States and other actors?
ISHR, the Ministry for Foreign Affairs of Finland and the Permanent Mission of Norway invite you to join a virtual event on the side of the Human Rights Council’s 49th session:
“Supporting women human rights defenders in conflict and post-conflict situations” takes place on Tuesday 8 March 2022 11:30am – 12:30pm (CET)
See also: https://humanrightsdefenders.blog/2020/08/03/roadmap-to-women-peace-and-security-wps-agenda-2020/
Opening statement: Pekka Haavisto, Minister for Foreign Affairs, Finland
Panellists:
Mary Lawlor, UN Special Rapporteur on the Situation of Human Rights Defenders
Ilwad Elman, Director of Program & Development, Elman Peace & Human Rights Centre [see also: https://humanrightsdefenders.blog/2020/09/17/fartuun-adan-and-ilwad-elman-from-somalia-named-2020-aurora-prize-winners/]
Horia Mosadiq, Human rights activist and Executive Director, Conflict Analysis Network (CAN)
Pooja Patel, Programme Director, International Service for Human Rights
Moderation: Heidi Hautala, Vice-President, Member of Parliament, European Parliament.
Download the flyer here and click here to join the event.
More about the contributions of women human rights defenders to peace and security: ISHR report.
See also: https://www.trueheroesfilms.com/themes/
Berlin’s Human Rights Film Festival: storytelling can combat human rights violations
October 5, 2021Davide Abbatescianni in Cineurope of 1 October 2021 describes the panel “Storytelling and Activism” in which the speakers explored how powerful storytelling can help activists in their struggles, and how this can become a catalyst for social change
A moment during the panel discussion
On 23 September, the Human Rights Film Festival hosted a panel entitled “Storytelling and Activism”. The gathering, which ran in Berlin from 16-25 September, aims to inspire and educate its attendees, opening their eyes to several humanitarian issues, as seen from new perspectives.
The panellists at this session explored how storytelling can help activists in their fights against injustice and human rights violations, and how this can become a catalyst for social change. The talk saw the participation of actress-director Katja Riermann (whose film …and here we are! was part of this year’s festival programme), Amnesty International Germany secretary general Markus Beeko, Save the Children communication director Martina Dase, co-host of feminist podcast Mothers of Invention Thimali Kodikara, campaigner Uma Mishra and Nigerian-American director Adesua Okosun. The conversation was moderated by Anna Ramsklogler-Witt.
Riermann spoke about her approach to storytelling, saying that she always tries to find the story “behind the news, behind what we know from the humanitarian organisations. […] I try to close the gap between what we know generally – and in many cases, such information is false – and the very specific, exclusive information provided by the people who are within this bubble. My approach is to tell the story to people who are not part of this bubble, who have never heard about it,” she explained.
Okosun said, “Luckily, a lot of directors and creators have the freedom to express themselves through storytelling and to not be afraid to seek questionable stories.” They don’t fear telling the stories of communities that everyone is ignoring or the experiences in Africa that many try to sugar-coat.
Dase noted a lack of meaningful stories: “I think storytelling is the art of telling something that gets under your skin. We still need to be more courageous, and we need to stop telling similar stories over and over again. People are tired of this.” She then mentioned that the most successful piece of storytelling ever produced by Save the Children was a viral video (watch it here) made in collaboration with an advertising agency. It was not a case study, but it basically transposed the Syrian War to London, showing a nine-year-old girl celebrating her birthday when, all of a sudden, a civil war breaks out in the UK. “We need to work more with suspense, surprise, shock and mystery – all of those skills that advertising agencies and blockbuster directors possess,” she added.
Speaking about how humour can be a powerful storytelling tool for just causes, Kodikara said that it allows us “to bring new audiences towards subjects that they are usually terrified of or know nothing about”.
Mishra discussed how emotions can have an impact on her campaigning work: “Working with human rights defenders is always incredibly tricky because of how you are portraying their stories.” She said that it is important to remember that the voices of these people – women, minorities, political prisoners and so on – have been silenced, so activists and campaigners need to make sure not to co-opt their voices and handle their portrayals, as far as possible, with the utmost care.
Beeko highlighted the shift from “telling stories about human rights violations and those affected by them” to a focus on the “activists and the changes that are possible”, which gives hope but is also stimulating more active modes of participation on the part of the audience.
Digest of Laureates ready – this blog changes orientation
February 2, 2021With the launching of the new Digest of human rights laureates by True Heroes Films (THF) today, 2 February 2021, I have decided to centre my blog more on human rights awards and laureates. It will give the blog more focus and this will also help the Digest to stay up to date. After many years of work, True Heroes Films (THF) has made public its gateway to human rights awards and their laureates at www.trueheroesfilms.org/thedigest. The Digest is a new free online tool that gives everybody access to information on human rights awards, including the list of people who received such awards. Over the last 20 years, the human rights movement has discovered the value of awards. The Digest tells that story and makes human rights defenders more visible as an encouragement and role model for others.
Here some specialised user comments:
The Digest “will help us demonstrate to the world how many human rights defenders there are in the world and the different human rights they defend and fight for” stated Guadalupe Marengo, Head of Global Human Rights Defenders Programme at Amnesty International.
“It is a useful resource that places individuals, the laureates, at the heart of the search process,” commented Eleanor Davies of the Centre of Applied Human Rights at York University.
“With a simple and straightforward way to find what you are looking for, it helps initiate partnerships,” says Friedhelm Weinberg, Executive Director of HURIDOCS, an organisation specialised in information technology.
For human rights defenders, the Digest allows finding awards and people concerned with similar causes worldwide. Award givers can quickly check their candidates. For media, the Digest means instant access to information on human rights defenders or an award announcement to complete their story.
The Digest was created during 8 years with support from the City of Geneva, Brot für die Welt and the Permanent Mission of the Netherlands to the United Nations Office.
A new gateway to human rights information being launched: awards and their laureates
January 25, 2021
As this blog has abundantly shown, Human Rights Awards have become an increasingly important tool in the protection of Human Rights Defenders. They give HRDs visibility and provide support and protection for those at risk. [see e.g. https://humanrightsdefenders.blog/tag/human-rights-awards/].
On February 2nd 2021 a new one-stop resource will allow to find and search human rights awards and their laureates.
The Digest of International Human Rights Awards and their Laureates, a unique centralised resource for the human rights community, gives visibility, strengthens legitimacy of human rights defenders’ work, and could influence authorities to better apply human rights. There are now 200 awards and over 2400 HRDs/laureates in the digests.
It will give researchers, students, activists, the media and the public a searchable overview on who has won which awards and their short profiles. The digest will allow people to filter (re)searches on laureates by, e.g. theme, prize, profession, country or region, gender, etc.
On February 2nd, 2021 True Heroes Films will be launching the new platform to the public. See the clip below:
Please forward this post to whom you think might be interested. Twitter: https://twitter.com/TrueHeroesFilms
https://mailchi.mp/7176a72bfc91/digest-of-international-human-rights-awards-and-their-laureates
Call for nominations for the 2020 Rafto Prize
January 15, 2020
Rafto
The Bergen-based Rafto Foundation encourages everyone with an interest in or knowledge of human rights to make a nomination for the 2020 Rafto Prize. Read more about the formal criteria and how to nominate online at Rafto.no. (see link below). Deadline for nominations is 1st February. For more on this and similar awards go to: http://www.trueheroesfilms.org/thedigest/awards/rafto-prize .
The dates for the 2020 Rafto Prize events are:
- Announcement of the Rafto Prize: 24 September
- The Rafto Conference: 7 November
- The Award Ceremony: 8 November.
For last year, see: https://humanrightsdefenders.blog/2019/09/26/the-rafto-prize-2019-to-refugee-rights-defender-rouba-mhaissen-from-syria/
Premiere: powerful video summarizes Human Rights Defenders World Summit 2018
December 18, 2018
Today, on the occasion of the presentation of the Action Plan at the plenary session of the General Assembly of the United Nations in New York, the NGOs who organized the World Summit 2018 (Paris October 2018) make public a powerful 8-mn video that summarizes The Human Rights Defenders World Summit 2018 and the highlights of this historic event in Paris. Click on play and meet the defenders, inspiring and courageous individuals and representatives of communities that advance and protect human rights, every day, in the most difficult places around the world. Film made by True Heroes Films (THF – www.trueheroesfilms.org).
Change the world. Protect human rights defenders! #WeAreAllDefenders
Each article in the Universal Declaration on Human Rights has its human story
November 15, 2018
The Universal Declaration of Human Rights – celebrating its 70th anniversary – has 30 articles. True Heroes Films (THF) made for the UN 30 short video stories to show the impact of the Declaration around the world. Go to: @TrueHeroesFilms or YouTube. The series runs until 10 December, Human Rights Day. Everyday a new one!
Human Rights Films: call for action or entertainment?
March 20, 2018Daniel Warner, who until recently was the Chair of the True Heroes Films (THF) in Geneva, runs a weekly blog in English for the Tribune de Geneve, He often touches on human rights issues and this time (20 March 2018) addresses an important question: to what extent are human rights films a (effective) call for action?
Under the title “Geneva Human Rights Film Festival: Is the Medium Really the Message?” he poses serious questions about the way images carry messages and their ultimate effect. The Geneva Film Festival just finished and gave its awards [https://humanrightsdefenders.blog/2018/03/19/awards-given-at-the-16th-human-rights-film-festival-in-geneva/] so the reflection is timely:
The 1972 photo of a young girl running naked in Trang Bang screaming in pain from the effects of napalm had a profound influence on the public’s perception of the horrors of the Vietnam War. The 2015 photo of a three-year-old refugee boy drowned in the Mediterranean Sea in Turkey also had a profound influence of the public’s perception, this time on the desperate plight of millions of refugees. The images of Phan Thi Kim Phuc and Aylan Kurdi are iconic representations. Both capture larger stories; both images express powerful narratives.
Visualization is story telling in another form. ……Marshall McLuhan in the 1960s introduced the notion that the medium of communication – movies for instance – change how a message is perceived. Directors can alter time sequences; background music can play directly to our emotions. We have entered new forms of communication that are just beginning to be understood.
The recent Geneva International Film Festival and Forum on Human Rights was a significant event; 61 films shown in 57 venues in the Swiss Romand and Grand Genève, 28 debates and discussions with important figures such as the United Nations High Commissioner for Human Rights and the Catalonian leader Carles Puidgemont as well as a human rights film tour organized by Swiss embassies in 45 countries.
…The images were shocking, almost numbing. We in the theatre became more than viewers, we became indirect witnesses through the lens of the film.
Several directors participated in debates following the presentations. They all expressed hope that the revelations shown on the screen would encourage reaction from the audience beyond the theatre. The purpose of the film, many argued, was to move the attendees and future viewers from watchers – i.e., indirect witnesses – to activists. The films, according to their creators, were calls to action.
McLuhan is most pertinent here. Watching a movie, any movie, is passive/emotional. The director leads us through what he or she wants us to see and feel. We are being literally directed. At a human rights film festival, we are directed, made aware, and called to action. The message of the medium is more than just perception; it is a motivation to do something. But the screen is just a screen, and a silver screen at that. The films were expertly produced. Most were technologically impressive. The cruelty and crudeness of human suffering were presented with all that modernity could offer.
It is the contrast between the rawness of grave breaches of human dignity and the sophistication of the current cinema that somehow reduced the power of the message. If, according to McLuhan, the medium is the message, then the films themselves – with all their slick professionalism – somehow played against a call to action. The excellence of the films was in contradiction to the cruelty and chaos of what they were showing.
.. Human rights activists are turning to visualization to appeal to larger and larger audiences. Visualization is today’s most powerful means of communication and it is becoming more and more sophisticated. The object of human rights’ film makers is to get the message out to the largest audience in an appealing way. The written era of Gutenberg is no longer hot. It is easier to teach students World War II by viewing Saving Private Ryan than to have them read weighty tomes of historical documentation.
If the message of human rights’ films is to witness human rights violations and call to action, professional presentations may be counter-productive. Movies are fundamentally entertainment; however instructive they may be. But when it comes to human rights and their violations, there should be as little entertainment as possible.
The recent Geneva International Film Festival and Forum on Human Rights was a significant event; 61 films shown in 57 venues in the Swiss Romand and Grand Genève, 28 debates and discussions with important figures such as the United Nations High Commissioner for Human Rights and the Catalonian leader Carles Puidgemont as well as a human rights film tour organized by Swiss embassies in 45 countries.
…The images were shocking, almost numbing. We in the theatre became more than viewers, we became indirect witnesses through the lens of the film.
Several directors participated in debates following the presentations. They all expressed hope that the revelations shown on the screen would encourage reaction from the audience beyond the theatre. The purpose of the film, many argued, was to move the attendees and future viewers from watchers – i.e., indirect witnesses – to activists. The films, according to their creators, were calls to action.
McLuhan is most pertinent here. Watching a movie, any movie, is passive/emotional. The director leads us through what he or she wants us to see and feel. We are being literally directed. At a human rights film festival, we are directed, made aware, and called to action. The message of the medium is more than just perception; it is a motivation to do something. But the screen is just a screen, and a silver screen at that. The films were expertly produced. Most were technologically impressive. The cruelty and crudeness of human suffering were presented with all that modernity could offer.
It is the contrast between the rawness of grave breaches of human dignity and the sophistication of the current cinema that somehow reduced the power of the message. If, according to McLuhan, the medium is the message, then the films themselves – with all their slick professionalism – somehow played against a call to action. The excellence of the films was in contradiction to the cruelty and chaos of what they were showing.
.. Human rights activists are turning to visualization to appeal to larger and larger audiences. Visualization is today’s most powerful means of communication and it is becoming more and more sophisticated. The object of human rights’ film makers is to get the message out to the largest audience in an appealing way. The written era of Gutenberg is no longer hot. It is easier to teach students World War II by viewing Saving Private Ryan than to have them read weighty tomes of historical documentation.
If the message of human rights’ films is to witness human rights violations and call to action, professional presentations may be counter-productive. Movies are fundamentally entertainment; however instructive they may be. But when it comes to human rights and their violations, there should be as little entertainment as possible.
Hans Thoolen on Human Rights Defenders and their awards 