This new film directed by Greg Barker [see also: https://humanrightsdefenders.blog/2014/01/23/we-are-the-giant-film-about-the-arab-spring-here-is-the-trailer/] and based on his own award-winning documentary, confusingly also called Sergio, is a biographical drama about Sérgio Vieira de Mello, a diplomat from Brazil who worked for the United Nations High Commissioner for Refugees (UNHCR) for most of his life and was briefly High Commissioner for Human Rights. He was celebrated as a pre-eminent humanitarian before tragically dying in the Canal Hotel bombing in Iraq alongside many of his staff in 2003. The fiction film Sergio made its premiere at the Sundance Film Festival on 28 January 2020 before heading to Netflix.
Kayleigh Donaldson in Screenrant of 2 january 2020 wrotes perhaps a bit too breathlessly that the film Sergio is “one of the most anticipated Netflix original movies in 2020“.
Now the first two reviews are out and they indicate that it is foremost a romantic story that is well acted but diverts a lot from reality.
Jessica Kiang in Variety of 29 January 2020 is the more critical and – in my view – serious voice:
… handsome, heroic, charismatic de Mello (played with persuasive charm by Wagner Moura) certainly does seem like a man whose present was shaped by …the better, brighter, freer global future he believed the U.N. could be instrumental in achieving and that he personally could help midwife into being. Such noble intentions and such impact on world affairs does render understandable Barker’s rather starry-eyed approach, but [puts] unnecessary length and sentimental emphasis on the man’s romantic life…
..First, we spin forward to the 2003 bombing of the U.N. headquarters in Baghdad, which was ordered by terrorist leader Abu Musab al-Zarqawi and which claimed at least 22 lives and wounded over 100 people, and here provides a loose framing device. De Mello and close associate Gil Loescher (Brian F. O’Byrne), both critically wounded, were trapped under tons of rubble in the blast, and … screenwriter Craig Borten imagines a borderline delirious de Mello reliving moments of significance from his storied life. Chief among these reminiscences is the tale of his romance with Carolina Larriera.. .an Argentinian U.N. economic adviser whom the married father-of-two met while brokering a peace deal between the rebels and the Indonesian government in East Timor.
In Adrian Teijido’s calm, throughful photography (it’s a refreshing choice to not go the shaky handheld docudrama route), de Armas and Moura make an attractive couple, and de Armas is able to imbue Carolina — whose role seems just a little wispy on the page — with an intelligence and will that makes her more than just de Mello’s romantic foil. But Barker’s emphasis on this love story at the expense of a deeper exploration of the exceptional talents that earned de Mello his reputation for feats of diplmatic wizardry in highly fraught situations where others had tried and failed, also has a curiously flattening effect.
Although the relationship with Larriera was doubtless crucially important to de Mello, it was not the thing that made him extraordinary in the eyes of the world. And so the hesitant courtship, the smouldering looks, and the romancing, including a tasteful but unnecessarily lengthy sex scene over which Fernando Velázquez’ otherwise rather generic political-thriller score crescendos like it’s high drama, all feel like a distraction from the more thorny and politically provocative side of de Mello’s story. That’s especially irksome given that the scenes of geopolitical debate, diplomatic argument and even ego clash between de Mello and the world-wearily witty Loescher … are actually where the film crackles to life.
…But this sentimental approach glosses over much of the potential drama that is set up only to dissipate: de Mello’s prickly relationship with U.S. Envoy Paul Bremer (Bradley Whitford); his association, criticized by Loescher, with war criminals and terrorists if he believed it could achieve his ends; and his fateful decision to send the U.S. Army guards away from the U.N. office in Baghdad in 2003. Sergio Vieira de Mello was, by all accounts, not a man who let fear of making the wrong decision stop him from acting decisively, and it’s a shame that the soft-edged romantic prevarications of “Sergio” prevent the film from embodying that same dynamism.
Courtesy of Sundance
John DeForein Hollywood Reporter of 30 January 2020 sees a more than successful transition from documentary to a feature film:
… Rather, it’s one of those rare films .. in which a genuine concern for geopolitics coexists perfectly well with romance and old-fashioned moviegoing pleasures. This portrait of influential U.N. diplomat Sergio Vieira de Mello benefits immensely from two magnetic leads, Wagner Moura and Ana de Armas, whose onscreen chemistry is undeniable; but its deft sense of structure is of equal importance, making it an engrossing picture even for those who know next to nothing about its subject or settings.
..Sergio and refugee expert Gil Loescher were trapped alive in the rubble; as a framing device, Sergio sets flashbacks to various points in his career during the hours when two American soldiers (Garret Dillahunt and Will Dalton) worked to extract the pinned men. These episodes help cement the diplomat’s reputation as an idealistic fix-it man for some of the world’s trickiest conflicts. …Sergio is out for a jog during his East Timor assignment when he passes another jogging foreigner, Carolina Larriera (de Armas). The attraction is immediate, but the film savors its development: …While the film plays up Sergio’s attractiveness to the younger woman (shirtless, the 50 year-old man probably bore little resemblance to Moura), it’s not blind to emotional flaws: He’s ignorant of key facts about his two sons’ lives, and he admits he’s most attentive to relationships and projects whose timeframe is finite.
Also on hand in East Timor is Loescher (Brian F. O’Byrne), who will be trapped by his side in Baghdad. The real Loescher, who had two legs amputated in his rescue from the site, was an independent expert who was only in Sergio’s Baghdad office (along with Arthur Helton – see: https://en.wikipedia.org/wiki/Arthur_Helton) to interview him for a column on openDemocracy.net. In Sergio, Loescher is a composite, depicted as Vieira de Mello’s right-hand man for multiple U.N. missions — the conscience who argues against his boldest moves. As a storytelling device, this works quite well; but using Loescher’s real name is an unexpected choice for a documentarian, and confuses the truth for no reason. [my view: INDEED – see also: https://humanrightsdefenders.blog/2017/06/07/gil-loescher-life-long-defender-of-rights-of-refugees-honored/ and https://www.imdb.com/title/tt0479980/]
Those who know the history intimately may take issue with other condensations that play perfectly well to a layperson: Sergio’s interactions with U.S. diplomat Paul Bremer (Bradley Whitford) are dramatically satisfying, and seem to capture the general nature of U.S./U.N. friction at the time; a question regarding the U.S. Army’s protection of Sergio’s office is probably also finessed for maximum thematic effect. The picture is most vulnerable to Hollywoodisms in scenes set after the bombing, as Carolina looks frantically for Sergio; the latter dreams of a sunny beach in his native Rio de Janeiro; and those soldiers heroically try to extract him despite having none of the necessary rescue equipment. But, coming late in the film as they do, these indulgences feel appropriate to the film’s lionization of its subject and investment in the couple’s relationship. Sergio believes in heroes and big ideals, and hopes we’re capable of the same belief…
Monica Castillo in NBC of 31 January 2020 adds an interview with the star Wagner Moura who “was so intrigued by Vieira de Mello’s story that he signed on as a producer for the movie. In the interview with NBC News, Moura said that this is the first of many stories he’d like to share to address the lack of Latinos on the screen. In the interview he also says “this guy is kind of a personal hero for me, and I’ve been working with the U.N. for a while; I’m a goodwill ambassador for the ILO [International Labour Organization] and the fight against slave labor..[Sergio] was a man who dedicated his life to human rights. When he was killed, he was the high commissioner for human rights; when he started in the U.N., he was the high commissioner for refugees“. Well he was NOT, he worked for the UNHCR.
Monday 19 March, 18:30 – 21:00, Staffan de Mistura, United Nations special envoy for the Syria crisis, will give the 2018 Sergio Vieira de Mello Lecture.
Staffan de Mistura is the United Nations special envoy for the Syria crisis. Having previously served as the head of the UN missions in Iraq and Afghanistan, he has over thirty years’ experience of working in conflict-affected areas and within humanitarian agencies. The event is moderated by the journalist Sophie Shevardnadze and will take place at Auditorium Ivan Pictet at the Maison de la Paix in Geneva. Registration is required for this event. Register here
The annual lecture is organised by the Sergio Vieira de Mello Foundation and the Graduate Institute.
Lawrence University will recognize Gil Loescher, a visiting professor at the Refugee Studies Centre at the University of Oxford, with an honorary Doctor of Humane Letters degree during commencement ceremonies coming Sunday. Loesher’s also received an honorary doctorate of law in 2006 from the University of Notre Dame.
In a career spanning more than 40 years, Loescher has established himself as an authority on refugee policy. Prior to joining Oxford’s Refugee Studies Centre in 2008, Loescher held appointments as Senior Fellow for Forced Migration and International Security at the International Institute for Strategic Studies in London and as senior researcher at the European Council on Refugees and Exiles. According to Loescher, containing refugees in camps prevents them from contributing to regional development and state-building. In August 2003, Loescher was in the office of Sérgio Vieira de Mello, then the UN High Commissioner for Human Rights, at the Canal Hotel in Baghdad when a suicide bomber detonated a truck bomb outside the building. The blast killed more than 20 people and injured more than 100. Loescher was among nine people in the office at the time of the explosion, seven of whom were killed instantly. Loescher and Vieria de Mello were trapped in the debris of the collapsed building as American soldiers spent more than three hours trying to rescue them. Vieria de Mello died before he could be extricated. Loescher survived, although his legs were crushed and had to be amputated by the soldiers. A moving film, “Pulled from the Rubble,” was directed by Loescher’s daughter, Margaret, about this episode. [Beguiled Eye Productions [gb]]
He has been recognized with numerous honors and research grants from organizations ranging from the Ford Foundation and the MacArthur Foundation to the Fulbright Program and the British Academy.
On 9 March 2017 the UN Secretary-General, António Guterres, announced the appointment of Louise Arbourof Canada as his Special Representative for International Migration. The Special Representative will lead the follow-up to the 19 September 2016 High-level Summit on Addressing Large Movements of Refugees and Migrants. Ms. Arbour will work with Member States, in partnership with other stakeholders, as they develop a first-ever global compact on safe, orderly and regular migration. She will lead United Nations advocacy efforts on international migration, provide policy advice and coordinate the engagement of United Nations entities on migration issues, particularly in implementing the migration-related components of the New York Declaration. She previously served as United Nations High Commissioner for Human Rights and as Chief Prosecutor of the International Criminal Tribunals for the Former Yugoslavia and Rwanda. She is a former justice of the Supreme Court of Canada and of the Court of Appeal for Ontario. From 2009 to 2014, Ms. Arbour was President and CEO of the International Crisis Group.
Louise Arbour smiles after having her star unveiled on Canada’s Walk of Fame in Toronto on 8 June, 2015. THE CANADIAN PRESS/Darren Calabrese (Canadian Press).
The 2015 Sergio Vieira de Mello Prize goes to the Interfaith Peace Platform for the work achieved to reconcile religious groups in the hope of reaching a lasting peace in Central African Republic (CAR), a country devastated by a war between fractions.
The Interfaith Platform promotes dialogue as a preventive measure against religious violence and a means to pursue peace across CAR. It was established in 2013 by representatives of the three most important religions in the country, the Catholic Archbishop of Bangui, Mgr. Dieudonné Nzapalainga, the President of the Islamic Council in CAR, Imam Oumar Kobine Layama and by the President of the Evangelical Alliance, Pastor Nicolas Guérékoyaméné-Gbangou. Read the rest of this entry »
The Sergio Vieira de Mello Foundation is extending its call for nominations for the 2015 Award till 30 April 2015. This prize rewards an individual, a group or an organisation whose original and daring initiatives have brought people in conflict in war-torn societies towards reconciliation. For more information on the award see: http://www.brandsaviors.com/thedigest/award/sergio-vieira-de-mello-prize
Nominations should use the form on the website and submit it by email to info[at]sergiovdmfoundation.org, or by post : Sergio Vieira de Mello Foundation, 29 rue des Allobroges, 1227 Carouges, Geneva, Switzerland.
The Sergio Vieira de MelloFoundation was created in 2007 by family and friends of Sergio Vieira de Mello, the former High Commissioner for Human Rights. One of the aims of the Foundation is to award an Annual Prize in Sergio’s name once a year to individuals, institutions or communities in recognition of outstanding and unique work for peaceful reconciliation.
Criteria for Selecting Candidates include:
The candidates are authentic verifiable community-based entities operating in areas of conflict and as such could be refugees, internally displaced persons or persons affected by conflict.
Achievements for which candidates are selected are innovative and unique, and affect the lives and well-being of a substantive segment of the community positively.
A high probability that the initiative can be sustained and replicated in similar communities elsewhere.
Reconciliation and Co-existence resulting from the initiative is measurable, verifiable and sustainable.
Deadline 30 November, 2014, either by e-mail at: info@sergiovdmfoundation.org or by post at: Sergio Vieira de Mello Foundation: 29, Rue des Allobroges, 1227 Carouge, Geneva, Switzerland. The selection is made by an independent Jury of the Foundation. A form on the website (http://www.sergiovdmfoundation.org/award/) will facilitate the nomination process.
The Sergio Vieira de Mello Foundation, in collaboration with the Graduate Institute of International and Development Studies, is organising its annual conference on Thursday 15 May 2014 at 18:30. The main speaker is Mr. José Ramos-Horta, Nobel Peace Prize Laureate, Special Representative of the UN Secretary General in Guinea Bissau, and Patron of the MEA on the theme of “Preventing conflicts, ending wars, building desirable peace.” The lecture is free and open to everyone at the Maison de la paix, Auditorium Ivan Pictet, Chemin Eugène-Rigot 2, 1202 Geneva.
The International Film Festival and Forum on Human Rights [FIFDH] was inaugurated in 2003. This year’s session runs from 7 to 16 March, 2014. On purpose it coincides with the UN Human Rights Council. This simultaneous event helps to make the Festival a Platform for discussion and debates on a wide variety of topics concerning human rights. As a genuine Forum on Human Rights, the Festival informs and firmly denounces violations of civil, political, economic, social and cultural rights wherever they occur. In the heart of Geneva, the “international hub for human rights”, the FIFDH offers debates as well as unscreened films and solidarity actions. The link to the full programme is: http://www.fifdh.org/2014/index.php?rubID=101&lan=en Read the rest of this entry »