Posts Tagged ‘Documentary film’

Kenyan documentary Softie shows defenders torn between family and the struggle

October 22, 2020

Katharine Houreld writes for Reuters on 21 October 2020 a very interesting piece about a documentary that puts the focus on the difficult dilemmas facing human rights defenders.

Njeri and Boniface Mwangi are activists – they protest together and are arrested together – but as the film progresses, the focus moves from whether their crusade will succeed to whether their family will implode.

Families of human rights defenders or activists … I want people to know we exist,” Njeri, a movie buff and avid motorcyclist, told Reuters at the film’s Kenya premiere this week. “Our children really struggle.”

Softie – an award-winner at the Sundance and Durban film festivals – shows the evolution of Boniface from an activist outraged by the 2007-8 election violence into a political candidate promising his new Ukweli party will change the system from within, a decade later.

His family grapple with his absence, a house permanently full of people, and death threats targeting their three young children. Njeri, fearing for their lives, eventually takes the kids to the Unites States in 2016.

In one tense on-camera exchange before his family leaves, Boniface pleads with his wife: “you need to have an ideal that you live for, that’s worth dying for.” “You think it will be better if you die?” Njeri replies sadly.

A later scene lays out the stakes. The couple’s eldest son Nate returns from his American school with something he has made for father’s day: a loving card for his mother. When filmmaker Sam Soko asks from behind the camera why there’s no message for his father, Nate shrugs.

Moments like that forced a reckoning, said Boniface, who appeared with his family at the premiere, all in matching purple outfits. Now he’s building his party, taking a rest from protests and spending time making meals for his family. He’s finally realised he can’t – and shouldn’t – try to change everything himself.

Change is not an event… it’s not a popcorn that pops in a microwave,” he told Reuters. “It’s a very slow painful marathon – and then the marathon doesn’t end.”

The film started out as a five-minute Youtube clip about organising a protest, said Soko, who is an activist himself. It sprawled into a seven year project, now streaming on PBS in the United States and Britain’s BBC.

It’s essentially still an activist manual,” he said. “But a different kind of manual … (about) what it means to love.”

https://www.reuters.com/article/us-kenya-film/kenyan-documentary-spotlights-activist-torn-between-family-and-the-struggle-idUSKBN2761FY

Tonight screening of “Boys State” by RFK Rights

October 6, 2020

Tonight 5 October 2020 you can participate in the virtual private screening of Boys State, which won this year’s Sundance Grand Jury Prize for documentary. This engaging film tells the story of 1,100 boys who come together to build a representative government from the ground up, and in the process examines our divided country and the health of the American democracy. Rolling Stone calls it “both sweeping and intimate” and “exhilarating.”   The screening will be followed by a Q&A session with the filmmakers and two of the film’s subjects, moderated by Kerry Kennedy.

Tonight at 7 p.m. EDT.    To RSVP to the event: email BoysStateRFK@a24films.com.   

https://mailchi.mp/rfkhumanrights/d7az6w232t-855714?e=99673fdc45

Shirin Ebadi biopic: Until We Are Free

August 27, 2020

Harris says, “It’s been an honor to work with many remarkable Nobel Peace Laureates, including the Dalai Lama, Archbishop Desmond Tutu and Shirin Ebadi, as part of the PeaceJam Nobel Legacy film series and to lend my voice to Shirin’s story of fighting for women and children to be treated with basic human dignities.”

https://www.benzinga.com/pressreleases/20/08/p17263858/award-winning-producer-and-voiceover-actor-laurel-harris-narrates-shirin-ebadi-until-we-are-free-w

Film “USA v Scott”: Humanitarian Aid Is Not a Crime

July 8, 2020

Murat Oztaskin – a member of The New Yorker’s editorial staff – wrote on 8 july 2020 a rich piece on the case of Scott Warren who was prosecuted for bringing water to migrants in the desert [https://humanrightsdefenders.blog/2019/05/29/also-in-usa-helping-migrants-is-criminalised-scot-warren-in-court-on-29-may/ ] He does so in reaction to the short documentary “USA v Scott”…

Warren was charged with one count of conspiracy to transport illegal aliens and two counts of harboring, and faced up to twenty years in prison. The lead-up to his first trial, in May, 2019, is chronicled in the short documentary “USA v Scott.”….

“USA v Scott” is directed by Ora DeKornfeld, a twenty-nine-year-old filmmaker, and Isabel Castro, a thirty-year-old multimedia journalist who was born in Mexico. “I think we were both fundamentally inspired” to make the film, Castro told me, “because we saw it as such a seminal case.” In 2017 and early 2018, several No More Deaths volunteers, including Warren, were charged with federal misdemeanors for “littering” and “trespassing”—that is, for leaving water and other supplies along crossing routes in federal wildlife areas. But Warren’s arrest at the Barn proved a turning point in immigration enforcement. In early 2017, Jeff Sessions, Donald Trump’s first Attorney General, directed federal prosecutors to use the law against harboring unauthorized migrants as a tool to help enforce the Administration’s zero-tolerance immigration agenda—until then, the law had been used almost exclusively against smugglers who trafficked migrants for profit. Warren was charged by Michael Bailey, the U.S. Attorney for the District of Arizona, a Trump appointee.

The film, which has screened at the Tribeca and Mountainfilm festivals, largely skirts politics, focussing instead on how the situation raised “moral questions for people who were living in Arizona,” Castro said. Warren frequently hosts roundtable discussions on immigration in Ajo, and the film opens on one such meeting. “Borders are supposed to keep us safe,” one member of the community says. “And now I have fear.” Another says, “My thing is, they wanna come here, they wanna come here for a better life so badly, but then they also wanna say, ‘Well, do it my old-country way.’ ” Warren listens patiently, nods. “Thank you for sharing that,” he says. The film also shows individual interviews with residents of Ajo. “To us, it’s normal,” one man says. “We’ve lived with [crossing migrants] all of our lives. It was never a big deal. And then the government stepped in and made a big deal out of it.”

Warren’s felony trial began in May, 2019. The documentary shows the tense months leading up to it, as he remains calm and diligently continues his work with No More Deaths. “We saw in Scott . . . someone who was doing very radical work but who was carrying himself in a very open and mild-mannered way,” DeKornfeld told me—someone who “could potentially connect not only with people who already agree with his politics but also those who don’t.” The trial ended, in June, in a hung jury.

Because the prosecution declined to drop all charges against Warren, the case went to a second trial, in November, where Warren was tried on the harboring charges. (The conspiracy charge was dropped, and the judge ruled that no mention of the Trump Administration’s policies could be included in the arguments.) The jury found him not guilty. After the verdict, Warren said, “The government failed in its attempt to criminalize basic human kindness.” Although Warren was vindicated, the fate of Sacaria-Goday and Perez-Villanueva remains unknown.

https://www.newyorker.com/culture/the-new-yorker-documentary/usa-v-scott-and-the-fight-to-prove-that-humanitarian-aid-is-not-a-crime

Documentary on Discovery series explores ‘Why We Hate’

October 18, 2019

A counter-protester gives a white supremacist the middle finger. The white supremacists responds with a Nazi salute. Charlottesville August 12, 2017.

A counter-protester gives a white supremacist the middle finger. The white supremacists responds with a Nazi salute. Charlottesville August 12, 2017. (Photo: Evan Nesterak)

writes in Citizen Truth of 17 new documentary series titled “Why We Hate” which premiered Sunday on the Discovery Channel and explores “one of humanity’s most primal and destructive emotions – hate.” Directed by Sam Pollard and Geeta Gandbhir and produced by Hollywood veteran Steven Spielberg, the six-part docuseries aims to help people understand their own minds to prevent hatred from spreading.

Pollard made no bones about the subject matter’s relation to America today, telling NPR: “If you think about where we are in the United States with Trump as president, the idea that he demonizes people from other countries, specifically Mexico — that’s another way to sort of separate us from them.” He then went on to compare it to the worst outcomes for such divisiveness: genocide, as with the Holocaust in Germany during World War II, and Cambodia.

The isolation of disadvantaged persons and groups can also lead to extremism, Pollard believes — referencing skinheads and gang members who are seeking a family to belong to. This appeals to the tribal nature of humans, which in turn leads to contempt towards outsiders.

Co-director Gandbhir insists that hate “is something that we all have in common. It is not unique to one society or one group of people.” “Why We Hate” manages to show a wide variety of how hate is manifested, such as: a campaign in Colombia to reunify a bitterly divided country from the decades of war between government forces and FARC guerrillas; a de-radicalized white American man who now works to reform white supremacists; pro- and anti-Trump activists; the Israeli and Palestinian conflict; easily angered soccer hooligans and survivors of the Rohingya genocide in Myanmar….Surely in our culturally and politically divisive times, this is a timely subject to tackle and learn more about.

Timely New Documentary Series Explores ‘Why We Hate’

Hell and Hope: a documentary film about three women who escaped ISIS and made a new life in Germany

August 13, 2019

‘Hell & Hope’. This documentary is filmed in Germany in 2018, where 1,100 Yazidi survivors of ISIS brutalities found refuge. There, they have managed to rebuild shattered lives even as mothers and sisters are missing – presumed enslaved or killed – fathers and brothers dead. Before it was too late for Salwa in Iraq’s Sinjar, before the militants came, she says it was Yazidi men who prevented them from running.The men refused to run despite their wives asking them to. ‘We men don’t run away, we stay and fight’. But the women didn’t know how to drive, so they couldn’t run either. I doubt if in all of Sinjar, even four women know how to drive – if they knew how to drive, they would have escaped and survived. The men could’ve stayed and fought if that was what they wanted. They should have fought and not let us face what we faced.” said Salwa, Yazidi Survivor Knowing how to drive seems like a small thing, in the grand scale of what was happening in Iraq and Syria. And yet it is that small independence they were denied that might have made all the difference.

The camera follows three women – Lamiya, Salwa and Bazi – as they go about their lives in Germany; to classes, to work. Lamiya was one of two Yazidi women survivors who won the EU’s prestigious human rights award – the Sakharov Prize – for their work in advocating for their besieged community. [see: https://humanrightsdefenders.blog/2016/11/01/sakharov-prize-2016-went-ultimately-to-two-yazidi-women/]

……

Despite the gripping horror of each story, there is not much different in the perspectives offered than what we’ve heard over the years now in countless pieces of reporting – the kidnappings, the slavery, the killings. What’s new is the fine detail that comes out when you have multiple women tell broadly the same story; the banality of evil.

Two of the three women who spoke expressed disgust, contempt and were especially distressed by the encouragement given to Daesh terrorists by their wives. It was felt as a deeper betrayal, even though Salwa explains why they did it: “What we saw was that the women encouraged their husbands. This is why I always say that women should see the world and get an education. They controlled women’s minds. What was Daesh telling their wives? They would say that women don’t go to heaven, that a woman is incomplete. Only men go to heaven, so in this life, women must please their husbands, and when they go to heaven, they can ask for their wives to join them. After a Daesh militant kills Yazidis, because they are infidels, he will go to heaven and if he is satisfied with his wife, he will ask for her to come.”

..how did they make it out of that hell? The German government reached out. “The girls did not apply for asylum. The government of the German state of Baden Württemberg came up with a special quota program to give girls, children and other victims a direct residence permit for 3 years.” Amish Srivastava, Director, Hell & Hope…

Watching the documentary is an exhausting experience, but the viewer is forewarned. One of the first lines that appear on the screen is “Girls risked their lives to escape Islamic State captivity. Few succeeded.”

https://www.thequint.com/entertainment/movie-reviews/hell-and-hope-isis-yazidi-women-escaped

Prosecutor Thuli Madonsela in film Whispering Truth to Power

August 12, 2019

An award-winning documentary following Thuli Madonsela’s time as Public Protector has officially been released. The film focuses mostly on Madonsela’s last year in office and is called Whispering Truth to Power.
Behind-the-scenes footage shows Madonsela’s fight for justice for ordinary South Africans. As Public Protector for South Africa, Thuli Madonsela made an impact. The film has won the Special Jury Prize at Hot Docs, a collection of awards at FESPACO, Luxor African Film Festival and Jozi Film Festival.
Madonsela has become a celebrated name for many in South Africa, after she managed to successfully challenge former SA President, Jacob Zuma, on his illegal use of state funds. “In other countries, people don’t know who the ombudsman is,” Madonsela’s son, Wantu explains, “If the government is doing their job properly, then the ombudsman is not this celebrated figure who is fighting the good fight, because there shouldn’t be that fight.” The documentary is filmmaker, Shameela Seedat’s first ever release. The documentary on Madonsela is available to stream at Showmax.
Read more: https://briefly.co.za/35068-award-winning-documentary-thuli-madonsela-officially-out.html

FOR SAMA also wins award at Durban International Film Festival 2019

July 25, 2019

On 25 July 2019 the Durban International Film Festival (DIFF) announced that the Amnesty International Durban Human Rights Award 2019 has gone to: For Sama directed by Edward Watts and Waad al-Kateab. The film earlier won Galway’s: https://humanrightsdefenders.blog/2019/07/16/31st-galway-film-festival-honors-for-sama-as-best-human-rights-film/

40th Durban International Film Festival award winners 2019

31st Galway Film festival honors ‘For Sama’ as best human rights film

July 16, 2019

Galway Film Fleadh 2019 award winners chosen

On Sunday July 14, 2019 the 31st Galway Film Fleadh came to a close after many Irish and international film premieres, screenings, workshops and discussions. On the last day of the festival, the film fleadh held it annual awards honouring the best of the filmmakers working in every discipline who brought their work to showcase in Galway. The best Human Rights Film (chosen in association with Amnesty International) wasFor Sama” (https://www.forsamafilm.comDirector Waad al-Kateab & Edward Watts – Producer Waas Al-Kateab). The documentary film is an intimate yet epic journey into the female experience of war. The film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria,’ and the choices she has to make to protect her daughter.

Awards given at the 16th Human Rights Film Festival in Geneva

March 19, 2018

The FIFDH just announced the OFFICIAL AWARDS of its 16th festival (2018) in Geneva. [https://humanrightsdefenders.blog/2018/02/27/16th-international-film-festival-and-forum-on-human-rights-starts-on-9-march/]. Here a summary: Read the rest of this entry »