Posts Tagged ‘IDFA’

Documentary film Arica gets attention from United Nations Human Rights Council

September 15, 2021

On 2 June 2021 Davide Abbatescianni wrote in Cineuropa about Lars Edman and William Johansson’s film which documents the devastation caused by a Swedish mining giant in a Chilean desert town

Over 30 years after Swedish mining and smelting giant Boliden shipped almost 20,000 tons of toxic mining waste to the Chilean desert city of Arica, a group of Special Rapporteurs from the United Nations Human Rights Council (UNHRC) led by Dr Marcos Orellana have made allegations of ongoing human rights abuses, as exposed in Lars Edman and William Johansson’s documentary Arica [+]. The feature was presented at last year’s IDFA and is set to continue its festival run in Spain, the Czech Republic, Italy and Belgium.

Exposure to the waste led to numerous cases of cancer, birth defects and serious diseases. Currently, the Chilean government estimates that around 12,000 people were exposed to the toxins. The UNHRC has advised the Swedish government that “urgent measures should be taken to repatriate the hazardous wastes to Sweden and/or ensure the disposal of the hazardous wastes in an environmentally sound manner”.

Particular criticism is aimed at Boliden Mining, which the body accuses of “intimidating and threatening behaviour” towards human rights defenders – namely, the legal team representing the victims in Arica. They allege that such an approach, adopted by Boliden following the decision by the Swedish court of appeal not to hear the Arica case on the grounds that Boliden’s actions took place too long ago to be tried under Swedish law, was “a deliberate attempt to produce a wider, chilling effect of silencing and intimidating other lawyers and human rights defenders”. The United Nations’ action has been welcomed by victims and campaigners, including community campaigner Rodrigo Pino Vargas, who said: “For over 30 years, we have seen our families and our neighbours suffer the consequences of this Swedish waste. We have buried our children and been forced from our homes. We will not stop until our voices are heard and the damage is repaired. Even when we win in court, we find nothing but broken promises. For the first time, the intervention of the United Nations gives us hope that our human rights will be upheld. The people of Arica demand that immediate action be taken to meet our health needs and that the toxic waste be returned to where it belongs – in Sweden.”

The acclaimed documentary, shot over the course of 15 years, sheds light on a shameful case of modern colonialism. After losing their case in 2018 with a sentence that ultimately sided with Boliden, rejecting the Chilean judges’ verdict on the firm’s responsibilities and decriminalising their misdeeds, another appeal was lost in 2019. As of today, the Swedish Supreme Court has not granted Arica’s victims the right to appeal, and Boliden is threatening to sue their lawyers to make them pay the legal costs, a sum close to $5 million.

Producer Andreas Rocksén commented: “When Lars and William began filming 15 years ago, their intention was to ensure that the voices of the people in Arica, affected by the waste that came from under the soil where they grew up, would be heard. What has happened since has surpassed any expectations: their story is being heard around the world, and yet those same people in Arica are still fighting for justice. We will continue to amplify their voices as best we can and applaud all the different initiatives aimed at seeing their human rights upheld.”

Meanwhile, political pressure in Sweden is mounting as the country prepares to host the Stockholm+50 event, marking 50 years since the first-ever UN Conference on the Human Environment.

Arica was produced by Swedish independent studio Laika Film & Television, and was co-produced by Belgium’s Clin d’Oeil Films, Chile’s Aricadoc, Norway’s Relation04 Media and the UK’s Radio Film Ltd. Its world sales are entrusted to Swiss outfit Lightdox.

https://www.cineuropa.org/en/newsdetail/405513

​International Coalition for Filmmakers at Risk Launched Officially

September 8, 2020

On September 7, 2020 IDFA (International Documentary Film Festival Amsterdam) announced that an ​International Coalition for Filmmakers at Risk has been launched officially in Venice.

To activate the film community’s collective response to cases of filmmakers facing severe risk, the International Documentary Film Festival Amsterdam, International Film Festival Rotterdam and the European Film Academy have joined forces in establishing the International Coalition for Filmmakers at Risk.

With civil society in danger around the world, filmmakers are increasingly struggling to make their voices heard. Over the past few years, the world has seen a growing number of filmmakers being threatened, arrested, imprisoned and even killed in an attempt to silence them.

In these critical situations, the international film community could make a difference in supporting campaigns for the freedom of these filmmakers or pressuring authorities for their release. As the response of the film community has so far been deeply fragmentized, more co-ordinated action is needed.

On the side of the Venice Film Festival, “Join the International Coalition for Filmmakers at Risk (ICFR)” saw Marion Döring (Director, European Film Academy), Mike Downey, (Chairman, European Film Academy), Vanja Kaludjercic (Festival Director, International Film Festival Rotterdam), Orwa Nyrabia (Artistic Director, International Documentary Film Festival Amsterdam) and Marjan van der Haar (Managing Director, International Film Festival Rotterdam) unite at the festival’s Spazio Incontri. To the invited festival attendees—film professionals and journalists—they explained the ICFR’s idea and activities:

The mission of the International Coalition for Filmmakers at Risk is to advocate for and to act in solidarity with filmmakers at risk. The Coalition will respond to cases of persecution or threats to the personal safety of these filmmakers and will defend their right to continue their work, by mobilizing the international film community.

Activities will include:

  • Advocacy
  • Accessing the support system
  • Monitoring and observatory.

That there is scope may be clear from the following examples:

https://humanrightsdefenders.blog/2020/08/26/sad-story-continues-saba-sahar-afghanistans-first-female-film-director-shot/

https://humanrightsdefenders.blog/2020/08/07/update-to-monas-campaign-for-her-sister/

https://humanrightsdefenders.blog/2020/05/02/filmmaker-and-human-rights-defender-shady-habash-dies-in-egyptian-pre-trial-detention/

https://humanrightsdefenders.blog/2016/04/04/500-signatories-demand-release-of-indian-filmmaker-sarangi/

https://humanrightsdefenders.blog/2013/06/26/human-rights-film-makers-kidnapped-in-sulu-philippines/

https://humanrightsdefenders.blog/2013/06/20/more-known-about-hrd-du-bin-in-detention-in-china-thanks-to-hu-jia/

https://www.idfa.nl/en/article/135007/international-coalition-for-filmmakers-at-risk-launched-officially-in-venice?utm_source=IDFA+Newsletters&utm_campaign=6cdd331ab2-EMAIL_CAMPAIGN_2020_09_08_08_07&utm_medium=email&utm_term=0_32b31333b2-6cdd331ab2-70115329

Piripkura, doc on Brazilian indigenous peoples, wins Amsterdam Human Rights Award at IDFA

November 22, 2017
Brazil’s “Piripkura” has won the Amsterdam Human Rights Award at this year’s International Documentary Film Festival Amsterdam (IDFA). Recognition for a devastating chronicle, the award comes with a cash prize of €25,000. The jury said of the film: “With this poignant, exceptional story, the filmmakers tackle a broad series of issues that should be high up on the international human rights agenda. The filmic quality of this documentary left us no choice but to award the Amsterdam Human Rights Award to ‘Piripkura.’”The film was produced by Brazil’s Zeza Filmes with Maria Farinha Filmes and Grifa Filmes as associate producers.

 

“Piripkura,” is a a modern-day ethnographic documentary with distinct differences from its scholarly predecessors. Ethnographic filmmaking started with voyeuristic or educational intentions, as an attempt to show the world something it had never seen. Perhaps it says something about the modern world that these films are now made in the spirit of conservation.

[The film follows Jair Candor, an official with Brazil’s indigenous affairs agency FUNAI, as he ventures into one of the Amazon’s protected indigenous lands, Piripkura. Only three Piripkura tribe-members are still alive today, and only two in their native land. The third, Rita, was forced to flee the lands when logging companies sent in mercenaries to kill the tribespeople, and thus lift government protections of the area. Rita accompanies Candor on his initial visits to confirm the continued existence of Pakyî and Tamandua, the last remaining Piripkura, an undertaking which must be done to sustain the areas protected status. Beyond the inherent dangers of living in the Amazon; corporate farms, fires, logging companies and massive budget cuts to aid agencies are constant threats to the two men.]

More information, and ways to help, can be found at: https://www.survivalinternational.org/about/funai

http://variety.com/2017/film/festivals/idfa-brazilian-doc-piripkura-amsterdam-human-rights-award-1202619003/