Posts Tagged ‘IDFA’

​International Coalition for Filmmakers at Risk Launched Officially

September 8, 2020

On September 7, 2020 IDFA (International Documentary Film Festival Amsterdam) announced that an ​International Coalition for Filmmakers at Risk has been launched officially in Venice.

To activate the film community’s collective response to cases of filmmakers facing severe risk, the International Documentary Film Festival Amsterdam, International Film Festival Rotterdam and the European Film Academy have joined forces in establishing the International Coalition for Filmmakers at Risk.

With civil society in danger around the world, filmmakers are increasingly struggling to make their voices heard. Over the past few years, the world has seen a growing number of filmmakers being threatened, arrested, imprisoned and even killed in an attempt to silence them.

In these critical situations, the international film community could make a difference in supporting campaigns for the freedom of these filmmakers or pressuring authorities for their release. As the response of the film community has so far been deeply fragmentized, more co-ordinated action is needed.

On the side of the Venice Film Festival, “Join the International Coalition for Filmmakers at Risk (ICFR)” saw Marion Döring (Director, European Film Academy), Mike Downey, (Chairman, European Film Academy), Vanja Kaludjercic (Festival Director, International Film Festival Rotterdam), Orwa Nyrabia (Artistic Director, International Documentary Film Festival Amsterdam) and Marjan van der Haar (Managing Director, International Film Festival Rotterdam) unite at the festival’s Spazio Incontri. To the invited festival attendees—film professionals and journalists—they explained the ICFR’s idea and activities:

The mission of the International Coalition for Filmmakers at Risk is to advocate for and to act in solidarity with filmmakers at risk. The Coalition will respond to cases of persecution or threats to the personal safety of these filmmakers and will defend their right to continue their work, by mobilizing the international film community.

Activities will include:

  • Advocacy
  • Accessing the support system
  • Monitoring and observatory.

That there is scope may be clear from the following examples:

https://humanrightsdefenders.blog/2020/08/26/sad-story-continues-saba-sahar-afghanistans-first-female-film-director-shot/

https://humanrightsdefenders.blog/2020/08/07/update-to-monas-campaign-for-her-sister/

https://humanrightsdefenders.blog/2020/05/02/filmmaker-and-human-rights-defender-shady-habash-dies-in-egyptian-pre-trial-detention/

https://humanrightsdefenders.blog/2016/04/04/500-signatories-demand-release-of-indian-filmmaker-sarangi/

https://humanrightsdefenders.blog/2013/06/26/human-rights-film-makers-kidnapped-in-sulu-philippines/

https://humanrightsdefenders.blog/2013/06/20/more-known-about-hrd-du-bin-in-detention-in-china-thanks-to-hu-jia/

https://www.idfa.nl/en/article/135007/international-coalition-for-filmmakers-at-risk-launched-officially-in-venice?utm_source=IDFA+Newsletters&utm_campaign=6cdd331ab2-EMAIL_CAMPAIGN_2020_09_08_08_07&utm_medium=email&utm_term=0_32b31333b2-6cdd331ab2-70115329

Piripkura, doc on Brazilian indigenous peoples, wins Amsterdam Human Rights Award at IDFA

November 22, 2017

Brazil’s “Piripkura” has won the Amsterdam Human Rights Award at this year’s International Documentary Film Festival Amsterdam (IDFA). Recognition for a devastating chronicle, the award comes with a cash prize of €25,000. The jury said of the film: “With this poignant, exceptional story, the filmmakers tackle a broad series of issues that should be high up on the international human rights agenda. The filmic quality of this documentary left us no choice but to award the Amsterdam Human Rights Award to ‘Piripkura.’”The film was produced by Brazil’s Zeza Filmes with Maria Farinha Filmes and Grifa Filmes as associate producers.

 

“Piripkura,” is a a modern-day ethnographic documentary with distinct differences from its scholarly predecessors. Ethnographic filmmaking started with voyeuristic or educational intentions, as an attempt to show the world something it had never seen. Perhaps it says something about the modern world that these films are now made in the spirit of conservation.

[The film follows Jair Candor, an official with Brazil’s indigenous affairs agency FUNAI, as he ventures into one of the Amazon’s protected indigenous lands, Piripkura. Only three Piripkura tribe-members are still alive today, and only two in their native land. The third, Rita, was forced to flee the lands when logging companies sent in mercenaries to kill the tribespeople, and thus lift government protections of the area. Rita accompanies Candor on his initial visits to confirm the continued existence of Pakyî and Tamandua, the last remaining Piripkura, an undertaking which must be done to sustain the areas protected status. Beyond the inherent dangers of living in the Amazon; corporate farms, fires, logging companies and massive budget cuts to aid agencies are constant threats to the two men.]

More information, and ways to help, can be found at: https://www.survivalinternational.org/about/funai

http://variety.com/2017/film/festivals/idfa-brazilian-doc-piripkura-amsterdam-human-rights-award-1202619003/