
CREDIT: MARIANA OLIVA
“Piripkura,” is a a modern-day ethnographic documentary with distinct differences from its scholarly predecessors. Ethnographic filmmaking started with voyeuristic or educational intentions, as an attempt to show the world something it had never seen. Perhaps it says something about the modern world that these films are now made in the spirit of conservation.
[The film follows Jair Candor, an official with Brazil’s indigenous affairs agency FUNAI, as he ventures into one of the Amazon’s protected indigenous lands, Piripkura. Only three Piripkura tribe-members are still alive today, and only two in their native land. The third, Rita, was forced to flee the lands when logging companies sent in mercenaries to kill the tribespeople, and thus lift government protections of the area. Rita accompanies Candor on his initial visits to confirm the continued existence of Pakyî and Tamandua, the last remaining Piripkura, an undertaking which must be done to sustain the areas protected status. Beyond the inherent dangers of living in the Amazon; corporate farms, fires, logging companies and massive budget cuts to aid agencies are constant threats to the two men.]
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