When looking for ways to engage young people in human rights work, this is an idea: Amnesty International UK has been running for many years a series of media awards. In 2010 it added human rights awards for YOUNG reporters, photographers, reporters, campaigners, fundraisers and poets. Read the rest of this entry »
To celebrate the 10th anniversary of the network the Human Rights Film Network (HRFN) has published the 2nd edition ofSetting up a Human Rights Film Festival, an “a to z” guide on the how-to’s of organizing a human rights film festival. Written by festival organizers from around the world, itfocuses on the needs and challenges of festivals that are sprouting all over the developing world and those in countries where democratic systems are still emergent or non-existent.
While drawing on some common experiences to all human rights film festivals, such as programming screenings and thematic discussions or dealing with technical production and team building, the handbook does not have a one-size-fits-all approach. Instead, it offers a varied tapestry of stories about festivals that face vastly different realities around the world: from rural communities in Sierra Leone and Bolivia to urban settings in Jordan and Guatemala; from prisons and the Maidan in Ukraine to a refugee camp in the middle of the Sahara Desert.
The book’s authors offer first-hand experiences and lessons learned on the many tasks needed for a successful festival including fundraising, stretching resources to the maximum, overcoming seemingly insurmountable logistical problems, approaching new audiences unfamiliar with film, involving the human rights community, dealing with censorship and security threats and evaluating results. There is a chapter on how human rights films strengthen educational systems and help raise awareness among youngsters, as well as case studies featuring festivals that take place in contexts such as political violence, the quest for truth and justice, occupation and political exile, censorship, poverty and marginalization.
The aim of the manual is to provide the necessary know-how to festival organizers so that the events they organize can serve as effective tools for social change — whether by raising awareness among key influencers and general audiences, or through the empowerment of local communities engaged in struggles for social justice.
Human rights-themed films aim for maximum impact, and human rights film festivals play a crucial role in ensuring that the films reach their target audiences, which include key influencers, social movements, activists and everyday citizens. This manual seeks to strengthen the collaboration between these communities by providing existing and emerging film festivals with the tools necessary to create an effective human rights eco-system that can lead to social transformation.
The handbook is edited by One World in Prague, Movies that Matter in Amsterdam and FiSahara in the Sahrawi refugee camps of Algeria.
Follow the links below to read or download the free full version of the handbook, or browse through the individual chapters and case studies.
New Tactics in Human Rights is currently having an on-line conversation on “The Use of Photography in Advancing Human Rights“. It lasts until 26 June.
Photography (as images in general) is a powerful tool that can create awareness and effect change. The visual narrative created through photographs can move individuals to a place and understanding of people, geographies, and events that would otherwise be impossible. Used as a tool to document, educate, move, and inform, photographs can be a powerful resource in the efforts of human rights practitioners when used effectively and ethically.
On 26 May 2015, at the 2015 Oslo Freedom Forum, Thai journalist Pravit Rojanaphruk describes his fight for democracy in his home country following the May 2014 military coup. Talking about his own arrest, Rojanaphruk denounces the limitations to the right to assembly, expression and movement in Thailand, as well as the regime’s efforts to build the illusion of a happy Thailand. Rojanaphruk concludes his presentation by reminding us that tolerance and dialogue are essential if Thailand is to become a democracy again.
Canadian-born Libyan activist Alaa Murabit speaking at 2015 Oslo Freedom Forum (26 May) shows how ongoing conflict has affected daily life in Libya. She stresses the importance of acknowledging and integrating local communities in peaceful solutions, and focuses on the key role women in particular should play in peacebuilding. Murabit shares how her organization, the Voice of Libyan Women, organized the largest grassroots campaign in the country to address security issues, the cycle of violence, and the rights of women. She emphasizes that by creating cohesive and cooperative societies, rather than ones divided into factions, Libya can achieve peace and stability.
On 26 May 2015, Nurul Izzah Anwar, Malaysian MP and daughter of imprisoned opposition leader Anwar Ibrahim, spoke at the Oslo Freedom Forum. In this video he describes how she was drawn into the opposition movement in Malaysia. She tells us about rampant government corruption, the country’s defunct judicial system, and how the government targets dissidents and attempts to limit change. Anwar explains how the lack of genuine parliamentary immunity prevents Malaysian politicians from speaking against the government. She reminds us that “Malaysia’s most wanted” are the activists that challenge the government, and expresses the hope that Malaysia’s future belongs to those seeking a more democratic and fair country.
Another speaker at the Oslo Freedom Forum (OFF) 2015 was Charlie Hebdo columnist, Zineb El Rhazoui, who paid tribute to her colleagues slain in the January 2015 attacks [she was at the time of the attack abroad] and describes her own experience facing thousands of death threats. In her passionate defense of free speech, El Rhazoui argues that criticism of religion should be encouraged, not avoided. The personal touch in her presentation is moving.
The 2015 Oslo Freedom Forum which was held this week featured more than 30 speakers from around the world, mostly human rights defenders with a story to tell. I will include over the coming days a selection of their videos. The first is: “My Impossible Escape from North Korea” A talk by North Korean defector Ji Seong-ho describing his extraordinary 6,000 mile journey to freedom. Ji survived being struck by a coal train and losing his hand and foot to a grueling amputation, and now helps other defectors escape.
It may not be news to the readers of this blog but it is good to heart the Office of the Un High Commissioner for G+Human Rights say it: “Movies are powerful” said Elena Ippoliti, Human Rights Officer for the UN Human Rights Office. “Sometimes, young people can open their eyes more through an eight-minute film, than through a two-hour lecture.”
For a decade the Office has partnered with the International Film Festival and Forum on Human Rights (FIFDH) in carrying out an educational programme, which takes place during the annual film festival. It provides screenings and discussions of a selection of human rights films for students mainly attending the secondary schools in Geneva. The festival was getting good audiences, but films were being seen by people who were already familiar with the issues. He said reaching out to schools seemed a natural fit.
Ippoliti said the education programme is also a chance for the Office to work at a local level in the headquarters host city of Geneva: “We, OHCHR Geneva, work at the global level. But by working with schools here, we also reach out to the local level,”.
The Hollywood Reporter (THR) of 20 April 2015 contains an interesting and detailed piece by Paul Bond who went with the Human Rights Foundation on a trip to South Korea, to see how defector send films, television shows, books, and offline versions of Wikipedia into North Korea. The experience inspired nine articles, all of them published on THR’s website, but the centerpiece is this one: ‘The Interview’ Sequel: Inside the Frightening Battle Raging on the North Korean Border’. The articles all together give an interesting picture of the powerful role that film can play in the case of closed societies where there is hardly any internet (here North Korean), but also how the South Korean authorities out of fear for retaliation limit the human rights defenders’ actions.
Left: U.S. resident Thor Halvorssen filled bags with The Interview,leaflets and American music to be ballooned into North Korea but was stopped April 9 by South Korean police. Right: Lee Min Bok prepared a balloon with Interview,Zero Dark Thirtyand U.S. dollars but was prevented from launching it by two guards.
To trick North Korean authorities, Interview begins with state propaganda clips before switching abruptly to a 12-minute subtitled edit of Interview — a bit from the beginning, middle and end, with the more vulgar parts removed.
Hans Thoolen on Human Rights Defenders and their awards 