Posts Tagged ‘Documentary film’

Winning human rights films in Thessaloniki and Geneva 2025

March 22, 2025
Comedian Noam Shuster-Eliassi speaks at the Thessaloniki International Documentary Festival awards. Looking on (in striped sweater) is 'Coexistence, My Ass!' director Amber Fares.

Comedian Noam Shuster-Eliassi speaks at the Thessaloniki International Documentary Festival awards. Looking on (in striped sweater) is ‘Coexistence, My Ass!’ director Amber Fares. Matthew Carey

Coexistence, My Ass!, a film about Israeli comedian Noam Shuster-Eliassi who dares to advocate for peaceful coexistence between Israelis and Palestinians, won the Golden Alexander Sunday at the Thessaloniki International Documentary Festival, TiDF’s top award.

Shuster-Eliassi attended the awards ceremony in the Greek port city, along with director Amber Fares and fellow members of the production. The comedian, whose one-woman show became the basis for the documentary, acknowledged her parents who were on hand for the event.

“My first political teacher, my father, is up there [in the balcony]. The first memory I have of my father is him going in and out of Israeli military prison for refusing to serve in the occupied Palestinian Territories,” Shuster-Eliassi noted. “Our activism and how we demonstrate equality, and freedom, and liberation is not just in one protest or one activity or one thing or one joke. It’s demonstrating what we envision the alternative is with your body, with your languages… using our privilege to make sure that my Palestinian friends will be free.”

“Two weeks ago, a Palestinian comedian, a colleague of mine, made jokes in Israel and the police showed up in at his home and took him and arrested him for telling jokes,” Shuster-Eliassi said. “And I’m here because there is still a little crack of freedom of speech that I get because of my privilege as an Israeli Jew.”

On a more humorous note, Shuster-Eliassi also brought up the president of Ukraine, Volodymyr Zelenskyy. “When I changed from political activism into comedy, it was because I heard that in The Ukraine, a Jewish comedian wrote a sitcom about becoming the president and he became the president!” she said. “So, I thought if I want to take my political career seriously, I need to start writing jokes because I know that when you’re laughing, you’re listening.”

Winning the Golden Alexander automatically qualifies Coexistence, My Ass! for consideration as Best Documentary Feature at the Academy Awards. In addition to the Golden Alexander, Fares’s film also won the Human Rights in Motion Award, presented by the Council of Europe.

While in Geneva the 23rd FIFDH announced its winners:

The documentary The Brink of Dreams by Nada Riyadh and Ayman El Amir and the crime-drama Santosh by Sandhya Suri have received the Grand Prizes at the Geneva-based human rights gathering

The 23rd FIFDH announces its winners

The Brink of Dreams by Nada Riyadh and Ayman El Amir (left) and Santosh by Sandhya Suri

The 23rd Geneva International Film Festival and Forum on Human Rights (FIFDH) has concluded its 7-16 March run, drawing in over 31,000 attendees and hosting experts to dissect current affairs, move beyond shock and inspire collective action. Showcasing global films that highlight human rights, the festival reaffirmed its status as a key event for audiences and professionals alike, fostering dialogue on pressing geopolitical and social challenges.

At the closing ceremony, Laila Alonso Huarte and Laura Longobardi, the festival’s co-editorial directors, mentioned: “We’re proud to see that the winning films are not only powerful and innovative in cinematic terms, but also warrant international support given the filmmakers’ commitment to and courage in confronting the many social, political and economic challenges in their countries.”

In the International Documentary Competition, the jury awarded the Geneva Grand Prix, valued at CHF 10,000 (€10,300) and sponsored by the city of Geneva, to The Brink of Dreams [+] by Nada Riyadh and Ayman El Amir. Highlighting their decision, the jury stated, “This poignant film follows the aspirations of five young Egyptian women seeking freedom – a freedom threatened by traditions and restrictions imposed in their village. Rich in cinematic creativity, it tackles sensitive issues such as forced marriage and sexual harassment, exposing how women’s rights remain precarious in the region.”

Here is the full list of award winners at the 23rd FIFDH:

International Documentary Competition

Geneva Grand Prix
The Brink of Dreams [+] – Nada Riyadh, Ayman El Amir (Egypt/France/Denmark/Qatar/Saudi Arabia)

FIFDH Gilda Vieira de Mello Prize
Khartoum [+] – Anas Saeed, Rawia Alhag, Ibrahim Snoopy Ahmad, Timeea Mohamed Ahmed, Phil Cox (Sudan/UK/Germany/Qatar)

Youth Jury Prize – Documentary
Writing Hawa [+] – Najiba Noori, Rasul Noori (France/Netherlands/Qatar/Afghanistan)

Fiction Competition

Fiction Grand Award
Santosh [+] – Sandhya Suri (UK/Germany/France/India)
Special Mentions
Cosmos – Germinal Roaux (Switzerland/France/Mexico)
Sugar Island [+] – Johanné Gómez Terrero (Dominican Republic/Spain)

Youth Jury Prize – Fiction
In the Land of Brothers [+] – Raha Amirfazli, Alireza Ghasemi (Iran/France/Netherlands)

Focus Competition

Vision for Human Rights Award
There Is Another Way – Stephen Apkon (USA/Palestine/Israel)

Special Jury – In Hospitals/Convergences Award
Flying Hands [+] – Paula Iglesias, Marta Gómez (Spain)

Special Jury – In Correctional Facilities/La Brenaz Jury Award
Life Is Beautiful [+] – Mohamed Jabaly (Norway/Palestine)

Champ-Dollon Jury Award
Riverboom – Claude Baechtold (Switzerland)

https://deadline.com/2025/03/2025-thessaloniki-international-documentary-festival-awards-1236327780/

https://cineuropa.org/en/newsdetail/475100

FIFDH GENEVA 2025 Awards

Film “Beyond Utopia” now available on streaming platforms

February 13, 2024

The Human Rights Foundation (HRF) announced that “Beyond Utopia,” a BAFTA-nominated and du-Pont-Columbia Award-winning film that follows the harrowing journeys of several individuals as they attempt to escape North Korea, is now available to stream on Amazon Prime, Apple TV, and YouTube. Pastor Seungeun Kim, who has made it his life’s work to rescue North Koreans. Over the past 23 years, he has saved more than 1,000 people through a network of smugglers and activists. As the film depicts, Pastor Kim frequently risks his own life by joining defectors on parts of their treacherous journey to safety, a trek that spans thousands of miles through jungles and rivers. Dubbed “an astonishing, real-life geopolitical thriller” by The Hollywood Reporter and “a staggering look at the nightmare of North Korea and the brave souls who tried to escape it” by Variety, the film has already received critical acclaim. It won the Audience Award for US Documentary at the 2023 Sundance Film Festival, received a du-Pont-Columbia Award, has been nominated for the 2024 British Academy Film Award for Best Documentary, and was shortlisted for the 2024 Oscar for Best Documentary. Stream “Beyond Utopia” today on Amazon Prime, Apple TV, and YouTube.

https://mailchi.mp/hrf.org/beyond-utopia-shortlisted-for-2024-oscars-290552?e=f80cec329e

Documentary “Silence of Reason” wins human rights award at Sarajevo Film Festival 2023

August 29, 2023

For the Hollywood Reporter, Eliza Whitfield on 19 August 2023 gives the result of the Sarajevo Film Festival 2023:

……Macedonian filmmaker Kumjana Novakova won the human rights award, given to the film in the Sarajevo competition that best addresses human rights issues, for her documentary Silence of Reason, which used the archives of the international court of human rights in the Hague to explore how violence against women was used as a weapon of war in the Bosnian War.

Nvoakova took part in the public discussion held in Sarajevo on Thursday into the artistic and media representations of violence against women. The discussion was held on a day of national mourning across Bosnia and Herzegovina called in response to a shocking triple-murder suicide in the northeastern Bosnian town of Gradacac last week, in which a man live-streamed the murder of his ex-wife. The Sarajevo festival suspended its regular programming, with the public discussion as the only event of the day.

As part of the festival, a public discussion was held in Sarajevo to examine the artistic and media representations of violence against women. The discussion took place on a day of national mourning in response to a tragic triple-murder suicide in the town of Gradacac. The Sarajevo festival suspended its regular programming to prioritize this important conversation.

30 November: film screening; women human rights defenders in Latin America

November 23, 2022

The illusion of abundance: Film screening and discussion

In their film, Erika Gonzalez Ramirez and Matthieu Lietaert introduce us to Berta Cáceres, Carolina de Moura and Maxima Acuña, three women from Latin America defending their communities, land and livelihood against transnational corporations. b Fo rmore on Carceres, see: https://humanrightsdefenders.blog/tag/caceres/ as well as https://www.trueheroesfilms.org/thedigest/laureates/2AD0CEE4-80CB-3234-04B4-F2ED7ACBE6C5

Their quest for corporate accountability brought the activists to Geneva, where ISHR accompanied them during the negotiations at the United Nations Palais des Nations on the elaboration of an international legally binding treaty that seeks to regulate, in international human rights law, the activities of transnational corporations. 

  • Wednesday 30 November 2022, 1:20pm-2:40pm
     
  • Room XVIII, Palais des Nations, Geneva
     
  • Languages: movie in original version with English subtitles; discussion in English

https://www.theillusionofabundance.earth/

Film “THE STORY WON’T DIE” about Syrian protest art

June 18, 2022

THE STORY WON’T DIE is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since World War II. The film is produced by Sundance Award-winning producer Odessa Rae (Navalny). Rapper Abu Hajar, together with other celebrated creative personalities of the Syrian uprising, including post-rock musician Anas Maghrebi, members of the first all female Syrian rock band Bahila Hijazi and Lynn Mayya, breakdancer Bboy Shadow, choreographer Medhat Aldaabal, and visual artists Tammam Azzam, Omar Imam and Diala Brisly, use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice, and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world, and offers inspiring and hopeful vantages on a creative response to the chaos of war.

The Human Rights Foundation organised the New York Premiere of THE STORY WON’T DIE on Friday, June 17 at Cinema VillageThe screening was followed by a Q&A with award-winning filmmaker David Henry Gerson and the film’s co-producer Abdalaziz Alhamza.

https://mailchi.mp/hrf.org/you-are-invited-june-15th-screening-of-the-dissident-288999?e=f80cec329e

Human Rights Films in the struggle for Myanmar

February 28, 2022

EngageMedia posted on 28 February 2022 an anthology of films which highlight Myanmar’s long struggle for democracy

A small portrait of EngageMedia

This movie playlist is from Cinemata, a platform for social and environmental films about the Asia-Pacific. It is a project of EngageMedia, a nonprofit that promotes digital rights, open and secure technology, and social issue documentary. This is edited and republished as part of a content-sharing agreement with Global Voices.

EngageMedia has curated a playlist of films that shows the extent of rights abuses in the country, as well as courageous forms of resistance against the continuing infringement on people’s rights. Marking the one-year anniversary of the coup, “A Year of Resistance” turns the spotlight on the long-standing struggle of the people of Myanmar for democracy.

This film collection is curated in solidarity with the people of Myanmar. In bringing the stories of unrest and atrocities to light, these films hope to inspire action and advocacy towards justice and freedom.

“Burma Rebel Artist: Moe Thandar Aung”

After the Myanmar military coup in February 2021, Moe Thandar Aung, a graphic designer whose work touched on themes on feminism, began making protest art in support of calls to defend and uphold democracy in the country.

“Black out”

In the aftermath of the 2021 Myanmar coup, the country is faced with state-mandated internet and information blackouts. Hnin, a single mother, and Mon, her daughter and an anti-coup protester, are among those who can no longer access the internet at home. In their pursuit of news on what is happening on the ground, they find only fabricated stories and unreliable information.

https://cinemata.org/embed?m=HMOXS1p4c

“Myanmar activists denounce selling of their data to military”

Telenor — Myanmar’s second-largest telecoms business — departs the country, selling 100 percent of the company to a Lebanese investment group. This move made activists concerned that their data could end up in the hands of the military as a result of the sale. Thus, they created an online petition and have organized cyber protests to stop this so-called “betrayal.” See also`: https://humanrightsdefenders.blog/2021/10/26/norways-telenor-in-myanmar-should-do-more-than-pull-out-it-should-not-hand-sensitive-data-to-the-regime/

https://cinemata.org/embed?m=7eAXglqBM

“Names and Faces of Myanmar’s Bloody Days”

During the six months of the junta coup, at least 950 civilians have been violently killed. A total of 90 children under the age of 18 have been murdered, while at least 48 children were arrested.

https://cinemata.org/embed?m=HiwepmPNo

“Wave”

An independent female humanitarian activist from Shan State describes the trauma she experiences in working in an environment pervaded by despair but also her commitment to helping those forced to flee armed conflict. This film was directed by Sai Naw Kham, Mon Mon Thet Khin, and Soe Yu Maw.

https://cinemata.org/embed?m=vGWueswhd

“Digital Rights in Myanmar” 

In this video, Myanmar activists talk about the digital rights and digital security challenges they face, arguing that freedom of expression, freedom to organize, and freedom to associate should be kept, protected elements of digital rights.

https://cinemata.org/embed?m=eJkgRd74h

“Wake Up Myanmar”

This song was made by 24 Youth from six different corners from Myanmar that participated in Turning Tables Myanmar’s yearlong social cohesion project “The Voice of the Youth.” Together they produced and recorded the song “Wake Up” which calls for democracy, youth participation, and sustainable development to replace corruption and injustice.

https://cinemata.org/embed?m=VVvs1Mgn6

“Striving for Democracy: Burma’s Road to Freedom”

This 2009 film shows powerful footage from the Saffron Revolution, a series of economic and political protests led by students and Buddhist monks that swept Myanmar from August to September 2007. It also highlights the continuing need for international solidarity amongst Southeast Asians in times of political upheavals as in the current situation in Myanmar.

https://cinemata.org/embed?m=gJdAhwD2a

Film “Don’t be afraid” about Belarus wins documentary competition

February 17, 2022

The “Don’t be afraid” film directed by Mikhail Arshynski has won the “Best Documentary on Human Rights” nomination at the Best Film Awards in London.

The film shows the struggle of the Belarusian people for fair elections the fate of people who responded to the call of blogger Syarhei Tsikhanouski and took part in the 2020 presidential campaign. Events are shown through the lenses of Arshynski, who witnessed an unthinkable political confrontation. With a camera in hand, he followed each stage of the campaign. He filmed how the authorities prevented the collection of signatures and their transfer to the election commissions how the headquarters of alternative candidates united. Mikhail traveled with them to the regions of Belarus.

The film won also the top prize at the South Korean “Hinzpeter Awards” film festival.

That things are getting worse is also shown by the report that on 25 January, officers of the Financial Investigation Department of the State Control Committee of Belarus searched the apartment of the director of Mahiliou Human Rights Center, Valery Krauchanka. After the search, the law enforcers took his son’s toy gun and 10-year-old leaflets of the Belarusian Helsinki Committee. On January 26, another search was conducted in Krauchanka’s home, as a result of which a laptop was seized.

The Mahiliou Human Rights Center has been actively engaged in human rights activities in the Mahiliou region for more than 20 years. For this, they had repeatedly come under the scrutiny of local authorities, who are dissatisfied with the criticism coming from human rights defenders.

The hearing about the “Mahiliou Human Rights Center” liquidation will be held on February 17 at 14.30, reports the Human Rights Center “Viasna.”

See more on Belarus: https://humanrightsdefenders.blog/tag/belarus/

belsat.eu

Documentary film Arica gets attention from United Nations Human Rights Council

September 15, 2021

On 2 June 2021 Davide Abbatescianni wrote in Cineuropa about Lars Edman and William Johansson’s film which documents the devastation caused by a Swedish mining giant in a Chilean desert town

Over 30 years after Swedish mining and smelting giant Boliden shipped almost 20,000 tons of toxic mining waste to the Chilean desert city of Arica, a group of Special Rapporteurs from the United Nations Human Rights Council (UNHRC) led by Dr Marcos Orellana have made allegations of ongoing human rights abuses, as exposed in Lars Edman and William Johansson’s documentary Arica [+]. The feature was presented at last year’s IDFA and is set to continue its festival run in Spain, the Czech Republic, Italy and Belgium.

Exposure to the waste led to numerous cases of cancer, birth defects and serious diseases. Currently, the Chilean government estimates that around 12,000 people were exposed to the toxins. The UNHRC has advised the Swedish government that “urgent measures should be taken to repatriate the hazardous wastes to Sweden and/or ensure the disposal of the hazardous wastes in an environmentally sound manner”.

Particular criticism is aimed at Boliden Mining, which the body accuses of “intimidating and threatening behaviour” towards human rights defenders – namely, the legal team representing the victims in Arica. They allege that such an approach, adopted by Boliden following the decision by the Swedish court of appeal not to hear the Arica case on the grounds that Boliden’s actions took place too long ago to be tried under Swedish law, was “a deliberate attempt to produce a wider, chilling effect of silencing and intimidating other lawyers and human rights defenders”. The United Nations’ action has been welcomed by victims and campaigners, including community campaigner Rodrigo Pino Vargas, who said: “For over 30 years, we have seen our families and our neighbours suffer the consequences of this Swedish waste. We have buried our children and been forced from our homes. We will not stop until our voices are heard and the damage is repaired. Even when we win in court, we find nothing but broken promises. For the first time, the intervention of the United Nations gives us hope that our human rights will be upheld. The people of Arica demand that immediate action be taken to meet our health needs and that the toxic waste be returned to where it belongs – in Sweden.”

The acclaimed documentary, shot over the course of 15 years, sheds light on a shameful case of modern colonialism. After losing their case in 2018 with a sentence that ultimately sided with Boliden, rejecting the Chilean judges’ verdict on the firm’s responsibilities and decriminalising their misdeeds, another appeal was lost in 2019. As of today, the Swedish Supreme Court has not granted Arica’s victims the right to appeal, and Boliden is threatening to sue their lawyers to make them pay the legal costs, a sum close to $5 million.

Producer Andreas Rocksén commented: “When Lars and William began filming 15 years ago, their intention was to ensure that the voices of the people in Arica, affected by the waste that came from under the soil where they grew up, would be heard. What has happened since has surpassed any expectations: their story is being heard around the world, and yet those same people in Arica are still fighting for justice. We will continue to amplify their voices as best we can and applaud all the different initiatives aimed at seeing their human rights upheld.”

Meanwhile, political pressure in Sweden is mounting as the country prepares to host the Stockholm+50 event, marking 50 years since the first-ever UN Conference on the Human Environment.

Arica was produced by Swedish independent studio Laika Film & Television, and was co-produced by Belgium’s Clin d’Oeil Films, Chile’s Aricadoc, Norway’s Relation04 Media and the UK’s Radio Film Ltd. Its world sales are entrusted to Swiss outfit Lightdox.

https://www.cineuropa.org/en/newsdetail/405513

Documentary Film Calls for Justice for Kyrgyzstan’s Azimjon Askarov

June 3, 2021
Azimzhan Askarov Pictured here during hearings at the Bishkek regional court, Kyrgyzstan, October 4th, 2016.  
Ethnic Uzbek journalist Azimzhan Askarov. Pictured here during hearings at the Bishkek regional court, Kyrgyzstan, October 4th, 2016.© 2016 AP

Philippe Dam, Advocacy Director, Europe and Central Asia Division of Human Rights Watch, on 2 June 2O21, writes aavout Azimjon Askarov, a 69-year-old human rights defender from Kyrgyzstan, who died in prison after contracting pneumonia. Askarov had been in prison for 10 years, having been given a life sentence following an unjust and unfair trial in 2010, in retaliation for his investigations into the tragic wave of inter-ethnic violence that year in southern Kyrgyzstan. [see: https://www.trueheroesfilms.org/thedigest/laureates/D8B31FA3-E648-4F92-81B9-8C3A4270F80E]

His death was the result of cruelty and negligence by Kyrgyz authorities. A screening this week of a documentary about Askarov, to be attended by senior European Union officials, is a reminder to Kyrgyzstan that it is responsible for his death and needs to show accountability and to the EU to press Bishkek on this issue. See also: https://humanrightsdefenders.blog/2020/07/31/mary-lawlor-calls-death-of-human-rights-defender-askarov-a-stain-on-kyrgyzstans-reputation/

Askarov’s trial in 2010 was marred by serious procedural violations and allegations of torture that were never investigated. A United Nations human rights body ruled in 2016 his detention was illegal and called for his immediate release, but Kyrgyz authorities looked the other way.

Since his death, many have called for a full inquiry into the causes and responsibilities for his death.  A toothless internal inquiry ordered by Kyrgyzstan has gone nowhere. The documentary “Last Chance for Justice,” by filmmaker Marina Shupac, is a touching portrayal of the fight by Khadicha Askarova, Askarov’s wife, for justice and his release from prison.

The screening is on June 4 as part of the One World Film Festival in Brussels. The panel discussion of the film will be joined by Eamon Gilmore, the EU’s top human rights envoy; Heidi Hautala, a European Parliament vice-president; and a representative of the Office of the EU’s Special Representative to Central Asia.

On the same day as the screening, the EU is set to hold its highest-level annual meeting with Kyrgyz officials. This is a crucial opportunity for the EU to make it clear that closer ties with Kyrgyzstan will depend on the resolve of Kyrgyzstan President Japarov’s administration to investigate Askarov’s death, clean up his judicial record, and grant compensation to his family.

This week’s high-profile screening makes clear: Kyrgyzstan will continue to be in the international spotlight on Askarov until it fulfils its human rights obligations to account for his death.

https://www.hrw.org/news/2021/06/02/documentary-calls-justice-kyrgyzstans-azimjon-askarov

Geneva Film Festival: Grand Prize of Geneva to “Shadow Game”

March 16, 2021
KRO-NCRV Shadow Game Documentary Won Awards at Geneva Film Festival |  Currently

The 19th Geneva’s International Film Festival and Forum on Human Rights (FIFDH) has wrapped its first digital edition with the announcement of its winners. Running from 5 to 14 March, the event gathered nearly 45,000 people who watched the films, debates and various content available online. “While we regret not having been able to open this Festival to a physical audience, some of the experiments carried out this year will be perpetuated. We must pay tribute to the FIFDH team, which has been able to adapt to many challenges with increased energy,” mentioned general director Isabelle Gattiker.

Starting with the Creative Documentary Competition, the jury headed by Ukrainian filmmaker Oleg Sentsov, and featuring Lamia Maria Abillama, Yulia Mahr, and Arnaud Robert, bestowed the Grand Prize of Geneva valued at CHF 10,000 – offered by the city and state of Geneva – upon Shadow Game by Eefje Blankevoort and Els Van Driel. The jury’s statement mentions that the film “deals with a crucial issue in modern time: young migrants alone on their road, trying to cross boundaries and as they say: ‘playing their game’. With the use of videos and social media material produced by the teenagers themselves, it has innovative filmmaking, and it is pushing cinematic boundaries in many ways.

Shadow Game also picked the Youth Jury Prize, as it “brings to our attention the fact that we need not look far to find human rights’ violations. This confrontation makes it necessary to take greater responsibility at the sight of this injustice and to abandon the often-stereotypical image of migrants,” the jury stated.

The CHF 5,000 Gilda Vieira de Mello Prize in tribute to her son Sergio Vieira de Mello, went to Downstream to Kinshasa [+] by Dieudo Hamadi for its “powerful and brave character-orientated filmmaking, about reparations for forgotten communities who endured atrocities (the Six-Day War in the Democratic Republic of the Congo in 2000). This film is haunting and shows such a rage of the protagonists seeking justice and reparations.” Once Upon a Time in Venezuela [+] by Anabel Rodríguez Ríos received a Special Mention by the jury as the director “approaches the protagonists in a very crude and yet subtle way, showing brilliantly the inextricable relation between industrial pollution, political and electoral constraints as well as citizens’ welfare.”

In the Fiction Competition, the Grand Prize Fiction and Human Rights, valued at CHF 10,000 and offered by the Hélène and Victor Barbour Foundation, went to Veins of the World [+] by Byambasuren Davaa as it “points beyond itself, towards a formless totality, a shared human experience often forgotten and instantly remembered where the beauty and pain of a profoundly essential human longing is unearthed and laid bare,” according to the jury presided by American filmmaker Danielle Lessovitz, with Santiago Amigorena, Laïla Marrakchi and Philippe Cottier. The film also won the Youth Jury Prize.

The Special Mention went to Should the Wind Drop [+] by Nora Martirosyan, “an important film, especially in the current context where borders are moving and closing and where it is difficult to travel.”

Finally, in the Grand Reportage Competition, the CHF 5,000 Prize of OMCT (World Organisation Against Torture), went to Coded Bias by Shalini Kantayya which, according to the jury, “powerfully depicts the threats that artificial intelligence poses to our liberties, including by hardwiring into algorithms racist and sexist biases.” The Public Award went to Dear Future Children [+] by Franz Böhm, which received CHF 5,000 from the FIFDH.

https://www.baltimoregaylife.com/kro-ncrv-shadow-game-documentary-won-awards-at-geneva-film-festival-currently/

https://www.swissinfo.ch/eng/film-festival-in-geneva-showcases-youth-migrant-struggles-in-top-honours/46447346

https://www.cineuropa.org/en/newsdetail/398837