The 24thedition of the Geneva International Film Festival and Forum on Human Rights (FIFDH) took place in Geneva from 6-15 March 2026. The Right Livelihood team attended several screenings and debates and shared the experience in this text.
Ellynn Del Perugia, Administrative Officer, wrote on 26 March 2026 about this:
Each year, the FIFDH offers the opportunity to watch documentaries and movies from all corners of the world. Some echoed the work and values of Right Livelihood Laureates or the proposals currently under research, others expanded our understanding of the broader human rights landscape.
More than providing an opportunity to learn, these films act as living memories and testimonies. They make public what power would prefer to keep hidden. In some cases, placing a camera in someone’s hands becomes an act of resistance in itself. As 2024 Laureate Issa Amro did when he initiated a camera distribution project in Hebron, Palestine, to document and collect video evidence of abuses and injustices committed by Israeli settlers and the military against Palestinians.
The festival opened with “A Fox Under a Pink Moon”, which won the Grand Award of the festival. This self-portrait follows a 16-year-old Afghan artist as she attempts to escape multiple forms of violence in Iran and join her mother in Austria, using her mobile phone as both a tool of survival and a means of artistic expression.
Over the following days, the programme moved across different geographies and contexts: Argentina grappling with fifty years of memory since the dictatorship in the documentary “Identidad”; China’s expanding surveillance state and its repression of the Uyghur population, in “Eyes of the Machine”; Pakistan’s environmental and human crisis in “Black Water”; and the fragile future of multilateralism explored in “Solidarity” alongside a debate on the future of International Geneva. The latter raised important questions for Right Livelihood, which uses international platforms to support the Laureates. Are we witnessing the end of a rules-based international order? And if so, what replaces it? An order based purely on the interests of the most powerful? What would a future without International Geneva look like?
Across these very different stories and regions, one theme kept returning: the suppression of memory as a tool of power. “Identidad” follows one man’s quest to rediscover his origins and identity. The documentary explores the importance of remembrance in countering the erasure of memory, a tactic often employed by repressive governments to conceal their own crimes.
“Eyes of the Machine” raises a similar question, documenting the silencing of the Uyghur population’s culture, language and collective memory. Here too, some individuals have chosen to keep these memories alive and share their stories, often at great personal risk.
This is something we recognise deeply at Right Livelihood. The Laureates we support are often people who choose to speak, act and organise in contexts where doing so comes at great personal cost.
Held alongside the 61st session of the Human Rights Council, several Laureates and partners present in Geneva also participated in this festival. It is difficult to leave these films feeling indifferent. They unsettle, as they should. They raise questions about the direction of the world and the future that lies ahead. But they also remind us that memory, when kept alive, can be a form of hope.
[see also: https://humanrightsdefenders.blog/2023/02/07/true-heroes-films-launches-hrds-animation-pilot/]
Hans Thoolen on Human Rights Defenders and their awards 