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Aruanas comes from a partnership between prodco Maria Farinha Films and Brazil’s Globo TV, which have created the fictional story about three idealistic women who set up an NGO to investigate the suspicious activities of a mining company operating in the Amazon. Bypassing traditional broadcast partners by making the series available at aruanas.tv – in more than 150 countries and 11 different languages – also means 50% of the download fee will go to initiatives designed to protect the Amazon rainforest. In Brazil, Globo will air the first episode on its domestic and international channels, which reach more than 100 million people, with the series then being made available on SVoD service Globoplay…

For the last 10 years, Maria Farinha Films has been built on producing documentaries and TV series focusing on social and environmental issues, tackling subjects including childhood obesity, refugees and LGBT rights. Climate change has been a cause long on its agenda but, as the company’s founder Estela Renner explains: “We wanted to do something long term, something that could stay for seasons,” she tells DQ following the London premiere of Aruanas. “There are so many seasons of Grey’s Anatomy and ER and you learn so much about hospitals and the dynamics that are involved. How about making a TV series that takes place in an environmental NGO? What better way to talk about the drama and activists and all issues there are to address – the oceans, oil, soil, air. That’s why we decided to jump into fiction.”

Renner wrote the series with her business partner Marcos Nisti, in collaboration with Pedro de Barros, and developed it alongside Globo. The story introduces Aruana, an NGO that receives an anonymous complaint about a mining company working deep in the Amazon rainforest. When the NGO’s contact is killed and the incriminating dossier is destroyed, its staff become determined to uncover what is going on.

……the series is not a lecture about climate change, nor does it present an unwaveringly positive representation of an NGO or condemn mining outright. “It’s not propaganda. You can see the activists doing stuff you wouldn’t recommend doing,” Renner says. “We found a way to build the layers of the series so we can see why mining can be important, because it develops a country, it creates jobs and it brings development sometimes.

“Even when Natalie interviews our villain, they have a battle where, for a while, you don’t know which side to take because both sides are right. But at the end of the season, we see this type of mining is wrong. You cannot mine and pollute the rivers, the soil, the air and people. You have to do it the right way.”

Renner also states that her NGO partners, which contributed no money to the production, were clear this would be a non-factual drama from the outset: “They were with us from the beginning but they also understood this is fiction. You have to put some salt and pepper in to make it interesting and edgy. All the organisations understood that and were happy. Because it’s  fiction, they knew they didn’t have to correct us. It’s important it’s fiction; it’s not a documentary.”

Filming took place across four months, with the cast and 190-strong crew travelling back and forth between the south-west city of São Paulo and the Amazon, where filming took place in Manacapuru, in the northern state of Amazonas in the centre of the rainforest.

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The decision to set the drama within an NGO and the world of its activists doubles as a mechanism for the organisation, in future seasons, to explore other aspects of climate change, looking at the oil industry and the oceans. Work is already progressing on a second season, which will explore a different type of environmental crime. But Renner says that despite Aruanas’ representation of the work of NGOs and their fight for a more equitable and sustainable world, her main priority is to entertain viewers with this high-stakes thriller.

“Chernobyl would be the perfect example because it’s super well done, super entertaining and when you finish watching it, it makes you think this power of destruction we have now is bad,” she says, referring to HBO and Sky Atlantic’s recent miniseries about the 1980s nuclear disaster.

“Maybe people can connect with NGOs and see what they’re doing. We didn’t want this to be too on the nose. We want to stay for several seasons through the characters and their lives, and it does have a happy ending. There are so many series with a dystopian future; dreaming collectively of a good future is important because it has power.”

Eco trip