I wish you all a very good 2020 and can only hope – against a lot of evidence to the contrary – that next year will be better for human rights defenders. Let’s hope that the Malaysian cartoonist Zunar is too pessimistic with his:
Zunar’s latest book (July 2019), entitled Fight through Cartoons: My Story of Harassment, Intimidation & Jail (Singapore: Marshall Cavendish Editions, 2019) is a stark departure from his previous books. Indeed, this is not a collection of cartoons, but a narration of his creative process, a reflection on the impact of his cartoons, as well as a contemplation of his journey as a political cartoonist in Malaysia, particularly during the critical political era between 2009 and 2019. [see also: https://humanrightsdefenders.blog/2019/04/04/satire-as-a-weapon-malaysian-cartoonists-showed-the-way/]
Organized in a chronological manner, this book presents the development of the artist’s works on the background of the important events, issues and political crises that have influenced his creativity.. threats, intimidation and imprisonment, for himself and his assistants; arrests; the confiscation of his books; the rummaging of his office by the authorities; pressure placed on his publisher and printer; as well as the mental and physical attacks led by supporters of the previous government on his exhibitions, his works and his person.
Starting with an introductory chapter about Malaysian politics by Sukhbir Cheema, the writer, cartoonist and co-founder of Eksentrika who helped Zunar to publish this book, readers are exposed to important issues in Malaysia such as the history of government, laws related to the media and publication, such as the Printing Presses and Publication Act and the Sedition Act, self-censorship as well as the Malaysian political background as the context of Zunar’s works and its impact on freedom of speech in this country…
In the following chapters, Zunar describes his creative process in detail by focusing on the publication of several political cartoon magazines with his cartoonist friends, such as Gedung Kartun (2009); Perak Darul Kartun (2009);and Isu Dalam Kartun (2010), as well as his major books 1 Funny Malaysia (2009); Cartoon-O-Phobia (2010); Even My Pen Has A Stand! (2011); Pirates of the Carry-BN (2012); The Conspiracy to Imprison Anwar (2014); Lawak & Lawan (2012); Ini-Kartun’Lah(2013); Ros in Kangkong Land (2015); Wasabi (2016); Sapuman: Man of Steal (2015); and his most popular book to date, Ketawa Pink Pink (2018). Beforehand, he briefly mentions his previous jobs, revealing that he once worked as a construction labourer, a factory worker and a laboratory assistant in a government hospital before finding success as a political cartoonist.
……the book describes in detail how each of his cartoons and books became controversial as a result of actions taken by the authorities, who stopped their distribution and their sale, despite early titles such as Gedung Kartun (2009) having received permission to be published by the Home Ministry. His other books have received the same treatment, because his cartoons expose the corruption scandals that are rampant in the country, involving in particular former Prime Minister Najib Razak and his extravagantly rich wife Rosmah Mansor. They also touched on critical issues such as the mysterious death of opposition activist Teoh Beng Hock; Anwar Ibrahim’s imprisonment; the murder of Altantuya, and the 1MDB scandal. Zunar’s cartoons have been considered a threat to public order. They were therefore declared illegal and he was dragged to the police station, detained, sentenced in court and thrown into jail. All of this is described carefully by Zunar in this book…Just as he is detailed and systematic in his creative process, Zunar also adopts the same attitude to overcome all the threats and obstacles he and his assistants had to face as a result of his cartoons. Just as he prepared his cartoons carefully, he also prepared his strategy and faced each arrest with calm, contacting his friends in the media in order to publicize his arrests, especially through the Internet and the social media. Zunar’s case shows the importance and power of the Internet and social media to influence the new political scenario in a global world, and in this country. Zunar’s strategy can serve as a guide for any cartoonists, writers or artists facing similar threats and situations.
Zunar’s philosophy is captured in the sentence: “How can I be neutral? Even my pen has a stand”…..Zunar’s book also shows that he is not alone in his fight. His assistants, his friends, his supportive wife, his lawyers, the media, international cartoonist associations and his faithful supporters from all around the world have all contributed to Zunar’s success and played a role in his “fight through cartoons”.
The book can be purchased here.
FIGHT THROUGH CARTOONS – A book with historical fight and smartly cartooning strategy
