On 28 November, 2019 Sally Blundel inteviewed Iranian asylum seeker Behrouz Boochani. The award winning refugee [see: https://humanrightsdefenders.blog/2019/02/04/manus-island-detainee-behrouz-boochani-wins-major-literary-prize-putting-more-pressure-on-detention-policy/] was invited to New Zealand. Where he will be after his month-long visa expires, he cannot say, but he will still write, he says, this time a novel. “Because literature has the power to give us freedom. Because through literature we can challenge the power structure.”
But find time he did, to write poems and articles, film a documentary on a smartphone and tap out an entire book, furtively sent paragraph by paragraph via What’sApp text messages, chronicling the squalid conditions, medical neglect, mental anguish, suicide, even murder, experienced by asylum seekers held on Manus Island under Australia’s “stop the boats” policy.
It is six years since Boochani was pulled from a sinking boat just days out of Indonesia and taken to Australia’s “offshore processing centre” on Manus Island, Papua New Guinea. It is just over a week since he left Port Moresby to fly to Auckland, taking a route that avoided Australia, to speak at Christchurch’s WORD book festival as a free man. “I got my freedom through literature,” he says.
Boochani knows the power of words. As a journalist in Iran in 2013, he reported on the arrest and detention of his colleagues on Kurdish-language magazine Werya in Ilam, north-west Iran. His fellow journalists were eventually released – they attributed their survival to Boochani’s article – but by then he was in danger. He fled, travelling through South-east Asia to Indonesia where, in July that year, he was among a group of 75 men, women and children who boarded an unseaworthy boat heading for Australia. The vessel’s bilge pump failed in rough seas. When rescued by the Royal Australian Navy, Boochani requested asylum under the 1951 Convention Relating to the Status of Refugees, to which Australia is a party. Instead, he and his fellow asylum seekers were incarcerated on Christmas Island before being transferred to the Manus Island detention centre as part of Australia’s “Pacific Solution II”.
………To write his book, he adopted a new routine, sleeping from 6pm until 11pm when everyone was too busy to note his absence. From 11pm, he would write under the blankets until 8am, then sleep until noon. In 2016, after the PNG Supreme Court declared the indefinite detention of asylum seekers to be unlawful, phones were no longer prohibited. Each night, he would sit outside, smoking, writing, absorbing as much of the natural environment as he could from his side of the prison fence. “For the prisoner who is alone, nature is so important,” he says. “Always, it is a place you can escape to – even the sky, they cannot take the sky away. But it is very harsh to look up at the many birds flying and knowing you cannot follow them.”
….
“If someone asked me to write this book again, of course I am able to write it, but I could not write it this way. When I describe starving, I was starving. When I describe the characters, those people were around me in prison. It is the same with the feelings. In that camp people rely on each other; there’s a culture of brotherhood because there is no space, but there’s also a kind of hatred because you are so tired of having so many other people around you. I have lost those feelings now, but in prison they were true feelings.”

Through articles sent to the Guardian, the Sydney Morning Herald, the Refugees Action Collective and the United Nations, and the support of a global network of writers, translators, academics and activists, including Australia’s Janet Galbraith, founder of online project Writing Through Fences, Boochani refused to let the thousands of asylum seekers sent to Manus Island and Nauru fade from public gaze. In 2017, the UN High Commissioner for Human Rights described Australia’s offshore processing centres as “unsustainable, inhumane and contrary to human rights” (New Zealand’s offers under National first, then Labour, to settle at least 150 detainees were rejected by successive Australian prime ministers).
Plea for release
But within the camp the book also drew attention to Boochani himself. This year, the Media, Entertainment and Arts Alliance, the union for Australia’s creative professionals, sent an open letter to the Government of Scott Morrison urging Boochani’s release. Signed by prominent journalists and writers, including Tom Keneally Helen Garner, Christos Tsiolkas, Kate Grenville and Nobel laureate JM Coetzee, it said, “We are deeply concerned for Behrouz Boochani’s welfare and safety. The success of his book and his status as a journalist have made him a target of the Manus authorities; a danger that has only increased with his rising profile.”
In June, WORD Christchurch programme director Rachael King invited Boochani to speak at a special festival event. Especially after the city’s March 15 mosque shootings, she explained, “it felt important to share the stories of refugees”.
With help from author Lloyd Jones, whose recent book The Cage is itself a dark parable about the human capacity for inhumanity, she was able to email her invitation directly to Boochani. Boochani was receptive to the idea. By then he was one of more than 300 people moved from Manus Island to Port Moresby. He was hoping to be part of Australia’s “refugee swap” deal with the US (he was later accepted for this programme), but he wanted to wait until the Manus Island camp was finally closed.
“It would have been immoral for me to leave those people in Manus, to create a platform and have this privilege and this recognition, because it is about all our resistance – it was not only for me.”
In October, Australia’s Home Affairs Minister, Peter Dutton, told Parliament “we’ve completely closed” the Manus Island facility. By then, only three asylum seekers were left on the island. The remaining detainees still in Papua New Guinea were in Port Moresby, including a reported 46 held in Bomana Prison.
Listen to Behrouz Boochani in conversation at WORD Christchurch with broadcaster John Campbell.