Posts Tagged ‘International Contest for Minority Artists’

ART and HUMAN RIGHTS 2025- minority artists

January 9, 2026

“Art was my existence, my life. Without it, maybe I wouldn’t have survived,” said Kheder Abdulkarim, a Kurdish-Syrian artist based in Germany and former political prisoner, whose work is inspired by his experience of persecution and erasure. He received an honourable mention at the 4th edition of the International Contest for Minority Artists.

The Contest is an initiative organized jointly by UN Human Rights, Freemuse, Minority Rights Group and the City of Geneva. Since 2024, the contest is also supported by the Centre des Arts of the International School of Geneva, the Loterie Romande, as well as by other donors who prefer to remain anonymous.

Each year, the Contest celebrates minority artists whose work bears witness to struggles for dignity, justice and visibility, forming a cornerstone of UN Human Rights’ efforts to uplift artists as human rights defenders.

The 2025 theme — Belonging, Place and Loss — resonated profoundly with artists around the world whose identities have been shaped by displacement, environmental devastation, structural racism, and generational trauma, generating more than 240 submissions this year.

At the award ceremony, UN Deputy High Commissioner for Human Rights, Nada Al-Nashif, reminded the audience of what minority artists reveal to societies.

“Tonight, we celebrate eight minority artists honoured in this edition, the power of art and the vital contribution that minority artists make as they shine a light on human rights struggles across the globe, stories and images that unite and anchor us in a shared humanity,” she said.

Art can be a human rights language, and a catalyst for positive change in societies which may seek to silence minority voices. Claude Cahn, human rights officer at UN Human Rights’ Indigenous Peoples and Minorities Section

For many laureates, art is the only archive that survives war, the only place where memory can remain intact.

Alia Al-Saadi is a Palestinian Syrian dancer and choreographer born a third-generation refugee in Yarmouk Camp, and one of the laureates of the contest’s 4th edition.

Her performances turn the body into an “archive of destruction,” she said, and “a state of psychological numbness, where prolonged exposure to violence renders shock ineffective.” 

A woman performs a dance pose on a rooftop, lifting one leg high while leaning sideways. She wears a light top and green shirt. Behind her are beige stone buildings, satellite dishes and metal structures under bright sunlight.

Alia Al-Saadi, a Palestinian-Syrian dancer exploring exile, memory and the body as archive. ©Alia Al-Saadi

Abubakar Moaz, a Sudanese visual artist based in Kenya, won honourable mention and said his visual language emerged from conflict in the Blue Nile and exile in Nairobi.

A large painting shows a figure in red against turquoise and beige tones. Painted sandal shapes hang from strings in front of the canvas, with several placed on the floor. A potted plant stands to the right in a bright gallery space.

Abdulkarim, imprisoned for nearly six years in the infamous Saydnaya Prison in Damascus, began sculpting there with scraps of vegetable crates. “I lost seven years of my life,” he said. “But I try to produce something from those years, to rebuild them and more.” 

An abstract painting features a textured brown figure with outstretched arms surrounded by white, ghostlike silhouettes. Black, white and gray fields with a pale circular form create a distressed, expressive atmosphere.

Emanoel Saravá, an Afro-Indigenous Brazilian visual and photo-performance artist, winner of an honourable mention, treats water as an archive of Black and peripheral suffering through their project Águas Marginais.

A person stands in front of the camera, extending his arms and clasping his hands together. Their wet skin glistens, and they wear a necklace and patterned shorts. A weathered wall with graffiti appears behind them.

“The waters carry the memory of Black and peripheral communities, but they also bear the scars of environmental racism, climate change and neglect,” Saravá said.

Sead Kazanxhiu, a Roma political artist from Albania and laureate of the 4th edition, rejects narratives that reduce Roma communities to victimhood.

A large mosaic on a public building façade depicts figures marching forward with tools, instruments and a red flag. The golden-toned mural spans the top of a stone structure under a clear blue sky.

“The Nest”, installation, wood, metallic wire, polyurethane foam and paint by Sead Kazanxhiu, a Roma visual artist whose public installations confront exclusion and reclaim Roma presence. ©Sead Kazanxhiu

“We have been always treated as victims; with my work, I want somehow to change this narrative toward active citizenship with equal rights,” he said. 

https://www.ohchr.org/en/stories/2025/12/minority-artists-transform-loss-resistance-and-belonging

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International Art Contest celebrates minority human rights defenders

December 1, 2024

27 November 2024, from UN Human Rights:

Mga Nalimutan [The Forgotten], inspired by a photography taken by Joe Galvez New York City, United States, 2017.

© Francis Estrada

The top awards for the 2024 International Contest for Minority Artists were presented to five award winners — Bianca Broxton, Joel Pérez Hernández, Francis Estrada, Laowu Kuang and youth laureate Jayatu Chakma — during a special ceremony in Geneva, Switzerland.

UN Human Rights partnered with civil society organizations, Freemuse, Minority Rights Group International, the City of Geneva, the Centre des Arts of the International School of Geneva, and with the support of the Loterie Romande. The theme, Memory in the Present, celebrates the creativity and cultural expression of minority artists whose artwork explores themes relating to memory and memorialization around the globe.

“Naturally, such collective identities will largely be grounded in a collective memory of events, generating or perpetuating values or traditions that shape the way persons belonging to a minority feel bound together by common experiences,” said Nicolas Levrat, United Nations Special Rapporteur on Minority Issues. “Such memories often define how and why these past experiences shared by persons belonging to a given minority (or by previous generations) make them singular, different from other groups.”

The winners and honourable mentions at the awards ceremony in Geneva, Switzerland (shown from left to right) — Francis Estrada, Maganda Shakul, Jayatu Chakma, André Fernandes, Bianca Broxton, Joel Pérez Hernández, Chuu Wai, Laowu Kuang. © OHCHR/Irina Popa

The contest serves as a platform for minority artists human rights defenders who play a key role worldwide to build bridges of understanding, dialogue and empathy through creative and artistic means. It celebrates minority artists who have made significant contributions to raise awareness, inspire action, and foster deeper understanding of human rights across diverse communities.

The Winners

Bianca Broxton in one of her performance pieces, A Conversation, in Boston, Massachusetts, USA. She invited audience members to engage in a dialogue about their personal relationships with hair, racism, and beauty, while she crocheted dreadlocks to add to the piece. © Bianca Broxton

Bianca Broxton is an American interdisciplinary artist who focuses on raising awareness of health inequalities among minority women in the United States. She frames historical narratives and memories around the marginalized voices using sculptures and collages to portray minorities with dignity and a focus on restorative justice.

“My experience as a Black woman drives me to tell the histories of those who have faced systemic oppression and to portray them positively. I refuse to have my subjects seen only as victims of systemic injustice,” she said.

Visual artist Laowu Kuang accepting his award at the ceremony in Geneva, Switzerland. © OHCHR/Irina Popa  

Laowu Kuang is a visual artist belonging to the Tibetan minority in China. Through a vivid interplay of colors and textures displayed on large canvases, his artwork navigates themes of memory and memorialization in contemporary China, through traditional Tibetan symbols and motifs.

“In contrast to Western painting, with its excessive color scale, and Han Chinese painting, with its muted and elegant concept of applying colors, Tibetan painting has a strong and intense contrast of colors,” he said. “The stone carvings of Tibetan folk art are a perfect combination of religion and nature, which is a communication and dialogue between human beings and gods, between heaven and earth.”

Joel Pérez Hernández is a visual and plastic artist from the Maya Tseltal people, born in the Lacandón jungle of Chiapas, Mexico. Hernández has dedicated years to studying traditional techniques and motifs with elder artisans and creators of his community.

“Much knowledge is asleep in our mountains, voices are trapped in the rivers, colors sleep under the stones, and in our collective memory, as well,” he said. “My people nourish me and motivate me to awaken all that; that is what I include in my works. I find no need to sign my pieces, because my people, my family, my friends make up the essence of each one of them.”

Born in the Philippines, Francis Estrada is a visual artist and educator, currently residing in the United States. Estrada’s artwork focuses on culture, history, and perception, and questions the influence of historical photographs, mass media, political propaganda, and personal archives on social narratives and collective memory.

“My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated,” he said. “I think of my work as partial narratives for the viewers to complete based on their own experiences and associations.”

Youth laureate Jayatu Chakma is an artist belonging to the Chakma Indigenous community of the Chittagong Hill Tracts region in Bangladesh. His artwork features ink, acrylic, watercolor, and natural elements like mud and colors from leaves, as a way to reflect on the life of his community in relation with forced displacement and the loss of their lands.

“Chittagong Hill Tracts is a part of Bangladesh which represents a culture of variation in terms of people and landscape,” he said. “But there are stories hidden behind the decorated valleys of Chittagong Hill Tracts: my artworks are influenced by the stories of being displaced, losing belongings and relatives. I want to create artworks that show a different side of Chittagong Hill Tracts, besides its natural beauty and cultural diversity that we see on TV.”

https://www.ohchr.org/en/stories/2024/11/international-art-contest-celebrates-minority-human-rights-defenders

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