The success of ‘Art For Resistance: Quilts Of Women Human Rights Defenders’ was a wake up call to do everything in our power to protect the human rights of women. (Photos courtesy of Protection International)
Under the title “The blanket that protects” Yvonne Bohwongprasert in the Bangkok Post of 19 February 2020 writes about these quilts as an art form to address human rights and encourage society to stand up and collectively fight for a social cause that impacts people from all walks of life.
“Art For Resistance: Quilts Of Women Human Rights Defenders” was one such event with a powerful social message: “Have I done anything today to protect the rights of women?” The social-awareness event, which was launched in 2018, had a record 54 participants — two of whom happened to be men — sharing their personal stories of fighting for human rights in various sectors of society on colourful quilts they stitched together on their own. Besides the exhibition, there was a panel discussion on the situation of women human-rights defenders in a pseudo-democratic Thailand.
The idea of quilts to raise awareness on the issue came from the colourful quilt squares Chilean women used to tell their stories of life under the Pinochet dictatorship, which routinely violated human rights. Despite the lives of these women having been darkened by poverty and oppression, their vibrant and visually captivating denouncements were a strong tool of resistance. See: https://en.wikipedia.org/wiki/Arpilleras/
Protection International (PI) Thailand and the Canadian embassy in Thailand, played a vital role in staging this year’s event. PI representative Pranom Somwong said: “Each quilt tells a story of injustice and the fire in each woman to overcome her struggles by acquiring a relentless spirit to seek justice for their families and communities“.
Hans Thoolen on Human Rights Defenders and their awards 
November 9, 2020 at 13:19
[…] Tapestries of Hope, Threads of Love (U. of New Mexico Press, 1996) is Agosin’s landmark work with a foreword by Isabel Allende. It spans 30-years of interviews with members of Latin America’s most influential women’s resistance the Arpilleras (burlapin Spanish) movement. The tapestries of embroidered cloth scraps made by impoverished women memorialize the “disappeared” loved ones under Pinochet’s rule. Agosin worked with the initial group of 12 women and brought their stories to the world. They were part of the anti-Pinochet art workshops, funded by Vicarâia de Solidaridad human rights organization of the Chilean Catholic Church. The embroideries, smuggled and sold abroad, provided income for the destitute women. {see also: https://humanrightsdefenders.blog/2020/02/22/arpilleras-making-a-come-back-as-blankets-that-protect/%5D […]